Stage Quotes
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I would say [Lamar] Kendrick, it`s always fun to see what happens when Kendrick takes the stage. And my two oldest kids are huge fans of him.
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I loved being on stage with heroes of mine, like Gregg Edelman and Jimmy Walton, and the lovely Chita Rivera and Stephanie J. Block.
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If we examine every stage of our lives, we find that from our first breath to our last we are under the constraint of circumstances. And yet we still possess the greatest of all freedoms, the power of developing our innermost selves in harmony with the moral order of the universe, and so winning peace of heart whatever obstacles we meet.
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I wouldn't go up on a stage now if you paid a thousand dollars for one minute of acting. It's a nasty experience. You're up there all by yourself. You're so damn exposed.
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One night Roger was in a foul mood and he threw his entire bloody drumset across the stage. The thing only just missed me - I might have been killed.
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I can't go out on stage and have glow sticks waved at me! That's not representative of anything!
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Now I can stand up on the stage again like I used to after five years of sitting down while I sang.
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Acting on stage is a living organism you can never pin down, and I believe the audience feeds off that, too.
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I think I always knew I was going to somehow be on a stage. I was quite an extrovert, as a child. And I did a lot of music, when I was younger, so I thought I was going to go into music, but I fell into acting, in a really weird way.
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For many playwrights, they write the plays anyway because they've got to be, the work has been started, it's got to be finished, but we all long, I think, to see the plays fleshed out on stage and I'm exactly like that. Yes, I'm not satisfied until I actually see it on stage.
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It's like Hollywood. The stage is set. All you're going to see out there is a bunch of cameras flashing, a lot of fans sitting back relaxing and waiting to see who the best team is going to be.
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A stage space has two rules: (1) Anything can happen and (2) Something must happen.
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If you mess up the performance on stage, you do it again the next night. You're like alright, you let yourself off the hook, and you've got to go back in there. Whereas, with a film, I would go home and be like, "Well, I've ruined the arc of the character forever. That scene is never going to work. I know because I can never shoot it again." So, it's all miserable, but in different ways.
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I want to get to the stage where nobody can tell how a picture of mine is done. What's the point of that? Simply that I want nothing but emotion given off by it.
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In my 20s, I was a monk. I was obsessed with theatre, not being famous, not with television. I was 20 years on the stage before I set foot in front of a camera.
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I caught on fire twice on the stage, but I was promptly put out. It was just my leg...
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It was the worst moment of my life. The producer came up and talked me back into going on stage.
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I’m at the stage of the job when you just wish you hadn’t started.
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I wish Wales was more represented on the British stage, and I have missed that being in London.
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The market is ridiculously overcrowded with early stage investors. This results in a talent drain, where the best talent gets diffused and work for their own startups.
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I was very interested in vaudeville. It was the only sort of discipline that was a five-minute act on stage, which is what I really enjoyed and saw myself doing. And I bought books on it.
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I finally felt that I came into my own when I went on the stage.
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Set the stage, record, then listen.
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My first passion was running: I excelled at that starting till the end of the high school. I pretty much cover about 20 miles a night on stage. I basically rechanneled all the athleticism and adrenaline, and everything that's exciting about sports into music. That was my secret weapon, because in Ukrainian punk rock scene - where everything was very gloomy - being athletic was not cool. I didn't publicize anything about my sport past, but I rolled in onstage with a background nobody had, and I became instantly recognized as the wildest performer in the punk-rock scene.
