Stage Quotes
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It's all right leaping about the stage when you're 20 but when you get to 25 it gets a bit embarrassing
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I got off stage and this guy walked up to me. He's like this ball of energy. His name was Lawrence Mathis, a manager. He said. 'I like what you're doing, and I'd like to talk to you. What are your plans? What are you doing?' I said, 'You caught me at a bad time, because I'm probably moving home in a couple of months.' But I met with him that next Monday and told him what was going on. He said, 'Give me a year to work with you.' I said, 'l don't have a year. I've got six months, at best.' He said, 'All right. Six months.' Five weeks later we got offered a deal from Broken Bow.
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I grew up in Manhattan and, since my father was a playwright, all I ever wanted to be was a stage actress.
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On the stage he was natural, simple, affecting, 'Twas only when he was off, he was acting.
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I don't enjoy public performances and being up on a stage. I don't enjoy the glamour. Like tonight, I am up on stage and my feet hurt.
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At the very end, what is going to happen is that immigration will be reduced considerably. And how can we get to that stage? By agreements on sectors.
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I'm a very loyal person and I allowed myself to be defined as somebody who was doing Gordon's bidding. I should have fought back harder to define myself at an earlier stage.
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My parents have basically just taught me the rules of the stage and everything since I was eight.
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My apartment is my stage, and my bedroom is my stage - they're just not stages you're allowed to see.
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If you're going to sing on stage, wear lip stain.
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I think the way I am on stage is probably who I really am. Everything else is a persona. It's an unedited version of who you are. For me there's something pure about that.
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I'm not like most comedians. I don't deal with just heckles - I'm also dealing with threats and anger. Here I am, a brown person on stage being quite blunt. I talk about white privilege; I talk about U.S. imperialistic practices; I talk about colonialism. I'm not saying things that are easy for people to laugh at.
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So you don't have to take us too seriously; I mean, we're already intimidating enough on stage.
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The energy Major Lazer presents on stage is guided by sound system sessions of years ago.
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Before I go on stage I pretend that everyone loves me.
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When I perform on stage, I often pretend to be someone other than myself to bring a certain emotion or intent to a song.
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I like working on stage because there's something very immediate about it, that interaction with an audience where you immediately hear their reaction, or feel them, whether they're with you.
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We are all lucky to be here, we are lucky to be on stage and have millions of people watch us.
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The next stage of development, perhaps in the distant future, will be a social order under which there will be no need for the coercive power of the state.
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I am always scared before going on stage; this is the fear which makes me do well.
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The Alexander Technique has helped me to undo knots, unblock energy and deal with almost paralysing stage fright
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I always had the sense of being in the spotlight, being on stage, being looked at.
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Working on stage is really a great voice developer.
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I've been on stage since I was 7. That's where I'd rather be than anywhere else. Just because you can do a bunch of things doesn't mean you are a bunch of things. I can act. I can sing. But I am a dancer.
