Stage Quotes
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The part an actor played on stage was once written on a separate roll of paper.
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This is the payoff for us, to be on the road. To be on stage and see the kids hungry for the music, to see them excited. That's why we do this.
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I don't reject caution, but you also have to be careful about caution because there's a stage when it turns into paralysis.
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Ruzzle's my therapy. When I get off the stage from a packed show and I'm exhausted, I'll just go Ruzzle for like a good 30 minutes.
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I've seen people who stink, but the film editor shows them just where they didn't stink. But if you're empty and manipulative on stage, it's clear.
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I wouldn't mind going half naked on stage, if that is what my role demands.
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All the world's indeed a stage And we are merely players Performers and portrayers Each another's audience outside the gilded cage
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I went through a stage of writing my cramped hand in tiny books. My two sisters and I did have our Bronte period. My mum is from Yorkshire, and we would go up to the Moors. It tapped into our romantic visions of ourselves.
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There is a stage with people we love when we are no longer separate from them, but so close in sympathy that we live through them as directly as through ourselves. ... we push back our hair because theirs is in their eyes.
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The two things you cannot do effectively on stage are pray and copulate.
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More is asked of you on stage. It's no way to make a living. But it's like a bullfight. You find out who can do it and who can't.
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It's all right leaping about the stage when you're 20 but when you get to 25 it gets a bit embarrassing
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Unless I'm on a stage, I don't want to be the event in someone's day.
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I think what people respond to, and what they're responding to so strongly, is I'm very myself on stage. What you see in person is very much who I am on stage.
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I grew up in musical theatre and love to perform on stage.
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I grew up in Manhattan and, since my father was a playwright, all I ever wanted to be was a stage actress.
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All the great cellists I revered played on this stage, including Casals, du Pré, Rostropovich, and, most of all, Mr. J. I was blown away by the thought of the impending concert. Like the old joke about Carnegie Hall, there is only one way to get to Avery Fisher and, that is, “practice, practice, practice.”
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I grew up on the stage, and there's no two ways about it: you only get one chance to do your bit.
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At the very end, what is going to happen is that immigration will be reduced considerably. And how can we get to that stage? By agreements on sectors.
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I wrote my first book at eight, all of four pages. At 10, I did a 40-page story. At 12, I wrote two stage plays.
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I got off stage and this guy walked up to me. He's like this ball of energy. His name was Lawrence Mathis, a manager. He said. 'I like what you're doing, and I'd like to talk to you. What are your plans? What are you doing?' I said, 'You caught me at a bad time, because I'm probably moving home in a couple of months.' But I met with him that next Monday and told him what was going on. He said, 'Give me a year to work with you.' I said, 'l don't have a year. I've got six months, at best.' He said, 'All right. Six months.' Five weeks later we got offered a deal from Broken Bow.
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I get very nervous before I get on the stage, but once I'm on the stage, I'm just, you know, me. Nothing hurts me.
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You're out on stage, the music is blaring, the crowd is screaming, the lights are flashing, your heart is pumping, the sweat is flying, and it's the greatest feeling in the whole world.
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I don't enjoy public performances and being up on a stage. I don't enjoy the glamour. Like tonight, I am up on stage and my feet hurt.
