Trying Quotes
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When I had a record deal in the '90s, that was my dream - to make an album like Barbra Streisand's Broadway album - and they laughed me out of the room. Broadway wasn't cool. But artists like Michael Buble and Josh Groban have brought the classic genre back to the forefront, so I'm trying to find my way inside that market.
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Urban Fantasy is a subgenre pretty much designed for teenagers. It's pretty twee, but I adore it. I've been trying to come up with an Urban Fantasy comic ever since I'd read the Nancy Collins 'Sonja Blue' series years ago.
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At a very young age I was predicting outcomes, trying to take all the information and find the best route to wherever I was going. I avoided a lot of pitfalls because of that.
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There's only so much you can do of trying, finding yourself very close to getting a part and then not getting it.
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The first thing that any city that's trying to create a startup community or an entrepreneurial ecosystem that's vibrant should do is get rid of the idea that they're trying to be like Silicon Valley.
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Sometimes, trying to make a work of art can be very difficult and very painful.
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I could have probably raised them in L.A. and they would have been great and had so many things at their fingertips and been exposed to so many things. But we travel a lot, so I don't think that moving out of town is sheltering the girls at all. Maybe protecting them a little bit more, trying to prolong their youth.
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Every night I try to look at the audience and treat every audience differently. It's almost like it's a single entity or a person. I always try to treat it like a conversation and allow it to happen naturally in the same way that you would engage in conversation.
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I kept on trying to use so many media and ideas in my work because our horizon is so vast and Indian culture is so rich that I think what we are today, culturally, we have a unique position and I don't think one lifetime is enough to encompass it.
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When I look half naked on stage, it's not because I'm trying to be sexy but because I am dancing and want to be mobile enough to move.
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I'm drawn to talented, creative people who often just don't know how to support themselves - they're more focused on their work than trying to figure that out. So I commission a lot of works with artists who I like personally or professionally, and through that process, I wound up collecting a lot of art.
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I live on a ranch in Texas and do my own thing. And I don't care what anyone has to say about it. My joke is that the only people I'm trying to please are myself and my fans, because they're the ones buying my records. And I have the best, most loyal fan base ever.
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I'm a big perfectionist! I'm trying to channel super-confident women like Alicia Keys, Mariah Carey and Beyonce, because I realized that if you want something, you really have to go for it, just like they do.
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Working improvisationally in my studio with dancers, it's completely different. We don't have any starting point; we don't have an end point. We don't have anything we are trying to show or do. The picture evolves from nowhere.
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If we are so contemptibly selfish that we can’t radiate a little happiness and pass on a bit of honest appreciation without trying to screw something out of the other person in return—if our souls are no bigger than sour crab apples, we shall meet with the failure we so richly deserve.
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We can't look at them. We've got to go out there and do it ourselves. We're foolish if we're trying to look at the referees.
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I'm always trying to perfect the romantic comedy, though.
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Fight scenes are hard, no matter what you do. You're trying to make it look like you're hurting someone without hurting them. It doesn't matter how big and strong the guy is that you're fighting or how small and feeble someone is that you're fighting. You don't want to hurt them. You're working with them.
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It is amazing to hear grown-up people rationalize homophobia and discrimination. The lengths they go to trying to prove their points take reason to its breaking point.
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Some people don't like my songs because they think they're too simple or easy or not that thought-out. I feel like the way I write is pretty simple, in some ways, because I'm trying to connect. I want a lot of people to hear it, and be moved in some way.
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I learn about history and religion and politics. It keeps me tuned in. If I hear something on the news, I'm like, 'Oh my God, this is what somebody is talking about in the play that I'm about to do in two hours.' The act itself - of rehearsing, failing, and still persisting and trying to create - keeps me curious, keeps me searching.
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I spend as much time with my kids as any mom who stays home. I only work during the hours they're at school, but there is always the sense of trying to catch up with all their stuff and not only organize my work life but also their school lives.
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I am not trying to say I'm a genius, but 'Underground' was the strongest attack there has been on Milosevic. It is about a man who locks his friends in a cellar for 40 years and convinces them that the war is still going on. He uses them, but they still think he is a great guy. And this was shown in every cinema in Serbia.
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When Superman was originally created, by Siegel and Shuster, they were two Jewish immigrants that were desperately trying to assimilate into America. They were having a hard time because they were Jewish. They wanted to get in to mainstream publishing but they couldn't. That's why they, and a lot of Jewish guys, went into comic books.
