Trying Quotes
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Keep trying until you have no more chances left.
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Well, the whole trick to doing an independent film, is to keep great pace and momentum. You're shooting maybe three times as many scenes in one day that you would on a big, luxurious budget on a luxurious schedule, and you try not to sacrifice quality for that. Things are just compressed, but essentially the same.
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You can make a beautiful, airtight world that's fascinating to look at, but it's not interesting unless you have a character that's trying to achieve something under the circumstances of that world. It's harder to play a wacky girlfriend whose journey you just don't understand.
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It's impossible to always get across what I'm trying to say, but, if I just stay honest, then I'm not going to look back on any of these interviews and wonder what I was trying to do or be.
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I do feel it's hard to be modest and humble and egoless when people are telling you you are so great and wanting to give you prizes and energy. I'm trying hard not to be an awful, narcissistic human being.
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You see I usually find myself among strangers because I drift here and there trying to forget the sad things that happened to me.
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It's so much fun trying to channel my inner four-year-old.
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Somebody is always suspecting Russia of having some ambitions, there are always those who are trying to misinterpret us or keep something back.
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I want my money to be different. I'm not trying to have rapper money. My goal is to be able to get everything from the world that I can get.
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A big company is like trying to steer a luxury liner.
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Short answers seem like you don't care even if you are trying to answer. I get the same flack for my short texting.
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Many of the American cartoonists that want to have a job and go so much for the total right without thinking, sometimes they get a slap on the face when their politician lets them down. So it goes on and on. The thing is staying in the middle and not getting committed, trying to get the best of both and do that with a sense of humor.
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Everyone goes through a weirdness as a young person, especially in college, when you're trying to figure things out.
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I got really tired of fighting who I am, and I did that for a really long time; I was trying to be this perfect girl, perfect family, perfect body, and those people aren't real.
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There's a lot of insincerity about the actions of our legislators; they create distractions - like this anti-gay law you alluded to - and try to mobilise, to exacerbate people's emotions. Until the legislators started making laws, people minded, generally, their own business.
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If you're trying to be more creative, one of the most important things you can do is increase the volume and diversity of the information to which you are exposed.
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If you are trying to find something, it means you haven't got it. And if you find it simply by looking for it, that means it's false.
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When I first quit my day job, I was terrified. I called my editors and said I'm trying to make a go of this, and they threw every contract at me they could. And for two years, I had a book or an anthology out every month.
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When my mother was trying to teach me how to make friends when I was a kid, she'd bring girls over to the house and I'd give them all my clothes. Nothing changes, I still do it. And then I wonder, "Where is that really nice Isabel Marant dress that I spent a fortune on? Oh my god, I gave it to Liza."
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The version of 'Moneyball' I pitched - and we made - is about a guy, Billy Beane, who thinks he's trying to win baseball games. But it's deeper than that.
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A lot of sneaker brands come to me, not even just designers. They come to me with ideas trying to push different things, and I want it to be stuff that I feel is organic.
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I know what that tastes like, to be a rock-and-roll star - to have a limousine, to have girls screaming when they see you, girls trying to cut my hair, get a piece of me. But I don't walk around with a concept of myself as a rock-and-roll star, and certainly not as a musician, because I really can't play anything, except primitively.
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We know the road of lack of recognition, of people telling us that we can't headline a movie because black women don't translate overseas, that every time we try to break the glass ceiling, people say no, people push back. And it's everything that people don't see out there.
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In terms of talking with my collaborators as they came onboard - Jeannine Oppewall, our production designer, Dante Spinotti, our cinematographer, and so forth - I said to them, "Let's pretend that this is a place like Honolulu. Let's ignore the fact that all these other movies have been made here for decades and try to come at it with a fresh eye, as if it were an exotic city that people aren't that familiar with. And let's present our own view of it, create a world that's unique to this movie [L.A Confidential].
