Recording Quotes
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I'm constantly recording and playing down in the basement, and my voice is starting to sound really good. There's cracks and scratches in my voice that have been there since I was 19. It hasn't changed that much.
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If you had a sign above every studio door saying ‘This Studio is a Musical Instrument’ it would make such a different approach to recording.
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I got an amazing 10-CD set, it's the music that Alan Lomax recorded in Haiti in 1936. And what's incredible is how fantastic the drummers are and how off-the-grid they are. The liveliness is astonishing; they're just totally alive, these recordings. It's very interesting, to me, to be reminded of that, that there was a time when things were not that tight.
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To be honest, I think I have a nice voice. A good voice... and I loved recording.
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For each film, you try to create a whole world sonically, having a sense of identity through instruments used, or recording techniques.
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At 17, I signed a recording contract right out of high school, so I started touring and traveling the world. I sort of missed out on the college experience.
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I really just like making music. People call that 'work.' Like, 'Oh, you're going to the studio to work?' No, that's even what I do in my off day. I love recording.
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Most of the time, with voice-overs, you're recording before they've got the graphics, and you also don't get a whole script. I get my lines, as I show up that day. You don't know what the rest of the story is, so you really rely on the people in the room that you're working with, so they can fill you in on what's going on, right around your particular lines.
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Writing the songs and producing the songs and arranging them and recording them is your canvas and your palette and your brush.
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People keep inventing all these new machines, and producers and recording engineers keep wanting to use them.
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I don’t practice as much as I should but I know when I’m rusty!! I spend a lot of time writing and recording so I get to practice when recording takes and writing parts. I have a couple of go to exercises I do from way back when I was learning with a tutor that I often pull out and I concentrate on finger strength and playing scales in seven positions in the same key.
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This is an album of songs that I've always loved, tunes that I heard. For the first time in 53 years of recording, I really had control over an entire album, start to finish.
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Work-wise I'm either doing one or the other. Either I'm sitting there making beats and I'm going to do that the whole day, then when it comes time for recording I'll go back to my beats that I have. If I don't like any of the beats that I made, I'll go to my friends who made beats and I'll try their beats.
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I never felt the need to actually change from being a Moody Blue and doing any solo recording. It is only because The Moody Blues haven’t recorded for over ten years now that I suppose the frustration set in and I really would have liked to have made a new album, and I suddenly realised that in the natural order of things, the album was going to be my own album.
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What producers did was mostly recording in the studio, so it never changed our sound just that much.
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If life is worth living then it's worth recording.
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Recording can be enjoyable, but the hard thing is that you don't get any direct or immediate feedback like you do when you play live. Getting to see people's excitement and see them engage in the show makes me excited to get back out and play.
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Alex Tumay is a recording engineer who works a lot with Young Thug and a load of other rappers, like Quavo. I'm just a fan of his work.
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I want to see my friends who I have not seen about a year since I've started to do the whole recording thing. I love to sit down with them and have a coffee. I also want to go see movies.
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Recording should be fun.
