Recording Quotes
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They arose in my mind as 'given' things, and as they came, separately, so too the links grew. An absorbing, though continually interrupted labour (especially, even apart from the necessities of life, since the mind would wing to the other pole and spread itself on the linguistics): yet always I had the sense of recording what was already 'there', somewhere: not of 'inventing'.
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Realism is a philosophy as opposed to a style. For me, painting is about observing and recording my existence as accurately as I can, it's my way of understanding the world around me and staying constantly engaged with it, the more carefully and patiently I look at what interests me in the world the more faithfully and honestly I can document it. It is only through intense, subtly nuanced observation that we develop an understanding of the psychology of the subject.
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I mean there are tons of reasons. Well first of all. I write my own record. I don't take other people's materials. And I have a job which is being Willa Ford on top of getting back in the studio and writing and recording.
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What I normally do with recording, performing, and touring is my name. It's all on my shoulders. If it's a great show, I'm great. If it's not a great show, I'm not great.
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It was more about getting together with other musicians and playing live. I needed to suss out a full set for the Last Summer tour, and I didn't want to play Fiery Furnaces material. So half of our set was new songs that we ended up recording for this album. And that made such a huge difference - going into the studio after playing a song for two years, knowing it inside-out and having sung it millions of times, and then recording it is a totally satisfying experience. You're suddenly in this controlled environment and you can make it sound exactly as you've been imagining it.
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We did spend a great deal of time together while making this album (Pyromania). We spent a month in Ireland during preproduction without anyone or anything except our instruments and our amps. And believe me, a situation like that can really test your friendship. It's even tougher than being on the road where you have plenty of diversions to occupy your time. When you're thrown together in close quarters with only each other to deal with, your really find out what everyone's like. We came through that with flying colours, and that cohesiveness carried over to the recording session as well.
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When I'm recording, which is synonymous with writing, I'll play things over and over again until it sounds like I've got the right guitar part. Whereas I think, as the much younger player I tended to do things much more consciously. I didn't wait for the moment where inspiration might strike. That's what I do now. I wait for it to naturally start to replay itself in my mind. As I say, I don't force it. So I like to think of myself as a receiver. I'm a telephone line to who knows where, but until I hear it through that receiver, I don't usually do it. It's got to start writing itself somehow.
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I was kind of thrown into - I didn't expect to do this for a living, being a recording artist. I was just playing music for the fun of it and writing songs. That was kind of my escape, you know, from the humdrum of the world.
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Utilizing a unique acoustic blend never heard previously, the Aaron O’Rourke Trio has made a fine debut recording that is sure to please old and new grass fans alike.
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When you're recording to analog tape, it captures performance and you can't necessarily manipulate that in different ways. It is what it is.
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I look at writing and recording like going to the toilet.
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I've been on the road for so long that it's a part of my being. Even after all these years, I love playing. I love recording. I love writing. I love rehearsing. I love touring. I love all that stuff.
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I wouldn't have known when I was a teenager that when I was coming up to being a sixty-year-old woman that I'd be making music, I'd be recording music, talking about music, and incorporating my views on the world into the music-making. So it's a very rarefied place to be, and I'm very grateful for that.
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I've had a lot of fans come up to me and say, 'I love the video song.' It's like it's a soundtrack recording or something. We'll never forget that the music comes first. I sometimes find video a little distasteful for that reason. People associate a band with their video images rather than with the music they produce, that's a little scary.
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I started to write book reviews as a means of recording my thoughts about what I'd read before all memory of them vanished.
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When you're recording a TV show, you really feel like you're in a bubble.
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My 22nd birthday, live at the Philadelphia Spectrum with Dio. Tobruk was recording and invited us over for a very wild party.
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I've pushed myself to push toward things that disturb me. I've developed a habit of recording these things because these things often disappear.
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I always knew that we were going to be successful and accomplish and succeed at our dreams. There was never a doubt in my mind. When we were recording 'Appetite For Destruction', we all knew.
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Many people believe that memory works like a recording device. You just record the information, then you call it up and play it back when you want to answer questions or identify images. But decades of work in psychology has shown that this just isn't true. Our memories are constructive. They're reconstructive. Memory works a little bit more like a Wikipedia page: You can go in there and change it, but so can other people.
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Recording Hysteria and Rick's accident, and the Steve thing, but that was over a period of years. I miss him more now than I did when he first died. I think about him all the time. It bugs me more now. What a waste!
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We were all kind of freaked out recording the first album because we didn't know what it would be like.
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We were telling everybody we weren't getting back together when we were in the studio actually recording. We wanted to try it on, to see how it would fit.
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It's tricky when you're doing a recording, because the only weapon you have is your voice and the delivery of that voice. You don't have a gesture or a facial expression, there are no costumes or set pieces. Everything needs to be present in the voice.
