Childhood Quotes
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You step over the threshold of your parents' home, and you're instantly transported back to your childhood. It's like time travel. You revert at once to a place of arrested development.
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I try to shield my children as far as possible from the public glare. I want them to have a normal childhood like we had. We went to school by the school bus, had school food... There was no special treatment given to us. The same applies to my children as well.
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My father wouldn't let me take typing in childhood.
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My happiest memory of childhood was my first birthday in reform school. This teacher took an interest in me. In fact, he gave me the first birthday presents I ever got: a box of Cracker Jacks and a can of ABC shoe polish.
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Most importantly, what you get from a greasy spoon is a certain kind of smell that has been almost legislated out of existence. It is cigaretty, certainly, and it also has the catch-throat quality of smoking fat. It is a warm, companionable fug that rises to meet you as you step through the door on a late autumn day and it is how public places used to smell in my childhood in the 1970s. It is real, it is human, and it beats anything I know.
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I shy away from plot structure that depends on the characters behaving in ways that are going to eventually be explained by their childhood, or by some recent trauma or event. People are incredibly complicated. Who knows why they are the way they are?
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Acting has made me embrace my childhood. It's become some weird form of therapy. It's like I have a place where I can release all of these emotions. When I was playing Ira Hayes, I didn't have to think about the death of my parents directly. It's just there. I can blend it into Ira's character. I can use Ira's emotions as an outlet.
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I've been following what's happening in Colombia because it's the country of my childhood.
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My childhood was kind of complicated. I have an older sister, but my father, my mother's husband, died when I was four years old. So I only had my mum and sister, really.
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'Lord of the Rings' was a childhood favorite, though the adult Rae wishes the women in those books had more significance and agency.
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I WAS born a slave; but I never knew it till six years of happy childhood had passed away.
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After childhood, the senses specialize via the channels of dominant technologies and social weaponries.
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My family life reads a bit like 'Little House on the Prairie.' I was big sister to Joan, Renee, and brother William, and we grew up in Dalkey, a little town 10 miles outside of Dublin. It was a secure, safe and happy childhood, which was meant to be a disadvantage when it comes to writing stories about family dramas.
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When Nancy Reagan was presented with people who she really felt like weren't going to judge her, there was such a floodgate of affection and warmth and physical affection that, most of the time, was kept at bay because, "Oh, someone's going to say something." I think that because of so many things that happened to her in her childhood, but also in the press.
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I love the Middle East. My earliest childhood memories are of Jerusalem. I love the colors and smells and cadence of Arabic spoken in the streets of Cairo or Beirut. I also love the modernity and verve of Tel Aviv.
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When I'm feeling frustrated with a story, I have faith that it's going to come. Also, when I first started writing, I wanted to write the stories that were not in my childhood, to represent people who hadn't historically been represented in literature.
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Anyone who has spent any time in space will love it for the rest of their lives. I achieved my childhood dream of the sky.
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My childhood was endless - from eight to 18 felt like hundreds of years.
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My childhood was colorfully anarchic and punctuated by a lot of change.
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My entire childhood was steeped in poverty. For me, poverty, in a way, was the first inspiration of my life, a commitment to do something for the poor.
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My father was a Foreign Service officer, a diplomat and an Arabist who spent virtually all his career in the Near East, as it was called in the State Department. So I spent most of my childhood among the Israelis and the Arabs of Palestine, Lebanon, Saudi Arabia and Egypt.
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I had a free-range childhood. We lived in town but with a cow, chooks, bees, and multiple veggie gardens so we could live self-sufficiently.
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My novels are about a generation of Americans who lived between 1940 and 2000, who resisted the postwar political and cultural forces by choosing a wandering life of impoverishment and wonder. Inevitably, race and economics are a big part of their stories. Childhood, childishness, and children are never far.
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During my childhood, I was surrounded by actors, and all I remember is they were fun to be around. That kind of sticks.