Picture Quotes
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I think it happens to a lot of people who make music just on a computer by themselves, you don't see the bigger picture. You don't see the forest for the trees. You're looking at every tree so closely, and every tree looks so cool. But you're making a forest, man, you're not making a tree.
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We were jigsawed, meant to fit together, making a whole picture.
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Writing a short story is like painting a picture on the head of a pin. And just getting everything to fit is - sometimes seems impossible. Writing a novel, though, is - has its own challenges of scope. And I think of that as painting a mural, where the challenge is that if you are close enough to work on it, you're too close to see the whole thing.
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One of the aphorisms occurred to me now and I wrote it under the picture: "Fate and temperament are two words for one and the same concept." That was clear to me now.
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It is possible that a picture will move far away from Nature and yet find its way back to reality. The faculty of memory, experience at a distance produces pictorial associations.
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The picture is like a prayer, an offering, and hopefully an opening through which to seek what we don't know, or already know and should take seriously.
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One dumb-bell, Watson! Consider an athlete with one dumb-bell. Picture to yourself the unilateral development - the imminent danger of a spinal curvature. Shocking, Watson, shocking!
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Building a business is like creating a picture & striving to be picture perfect in everything you do.
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If there is a single factor which separates the best photographers from the wannabes it is the quantity of images which they produce. They seem to be forever shooting. I have watched many of them as they take picture after picture even when they are not photographing. Often these intimate images do not look as though they were taken by the same photographer. And that is their fascination and charm.
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No matter what form the relationship might take, he was the only person she could picture sharing her life with.
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I am pessimistic about a picture's power to be the emissary of just one thing. What I hope is that the picture says, "Here I am, this is what I am like," and the person seeing the picture says in return, 'You know a lot but you don't know half of what I know.'
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We see many posters and standees at cinema halls, and some catch attention. But these posters are soon forgotten. Taking a picture with the actors, enabled by AR, helps record a memory.
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I got a message from Downing Street that my picture's hanging in the White House. Which is weird.
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I don't like having my picture taken and I don't like looking at myself because I don't particularly like what I see.
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I try to construct a picture in which shapes, spaces, colors, form a set of unique relationships, independent of any subject matter. At the same time I try to capture and translate the excitement and emotion aroused in me by the impact with the original idea.
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What I find sometimes that is tricky is if actors are using too much of their own life in a picture, in a scene, they get locked into a particular way to play the scene, and it lacks an immediacy.
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Hold a picture of yourself long and steadily enough in your mind's eye and you will be drawn toward it. Picture yourself vividly as winning and that alone will contribute immeasurably to success.
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Like people, a picture has a skeleton, muscles and skin.
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It goes without saying that I will do anything at any price to pull myself out of a situation like this [rejection] so that I can start work immediately on my next Salon picture and ensure that such a thing should not happen again.
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With me, a story usually begins with a single idea or mental picture. The writing of the story is simply a matter of working up to that moment, to explain why it happened or what caused it to follow.
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A goal is created three times. First as a mental picture. Second, when written down to add clarity and dimension. And third, when you take action towards its achievement.
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If I do a picture, I want the audience to be the people I was just packed against on the subway or on the street, walking on Fourteenth Street. I don't want it to be some narrow public that I myself feel alienated from.
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Every time you play one old-time picture along with today's kind of work, and they throw in the computers and the guns and the this and the that and the God-almighty, it gets to be a hassle and you wonder who the hell's doing what!
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A picture's beauty does not depend on the things portrayed in it.
