Performances Quotes
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Time is running out. We don't have any points to give to anyone. We will need some great performances from everyone.
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I like the energy of live performance.
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We perform the show for the people that are in the room and then that performance is theirs forever and ever.
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If you're taking performance-enhancing drugs and you get caught, in my mind, you should be banned for life.
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I went to ballet school for nine years, and there was an agent for the whole school who happened to be there visiting one of the performances. She suggested an audition.
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You're always working to improve, and you're always being critiqued on your next performance. It's not about what you've done. There's always room to grow.
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Nothing must be left to chance in a magical performance. Everything conducive to enhancing the mystery of the illusions must be arranged with painstaking care and thought.
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I am always really buzzed after each performance, and at around one in the morning, Ill hit a brick wall and need to sleep.
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Don't watch people's individual performances. Watch the energy that's being passed between them, and then you'll see if the scene is really working or if the actors are really doing their job. If they're playing with the energy that's between them, they're not just acting in their own little bubble.
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Do not waste a minute - not a second - in trying to demonstrate to others the merits of your performance. If your work does not vindicate itself, you cannot vindicate it.
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Trust is a powerful accelerator to performance and when trust goes up, speed also goes up while cost comes down - producing what we call a trust dividend.
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My last public performance for money was in 1967. For free, it was 1972, with the exception of two little one-shot, one-song things. But that's just for friends, out of friendship for the people involved, and also because it was fun.
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I think when you have a good warm up you feel good about your performance. You know that you've trained so mentally you're in a better state.
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I try to stay out of the spotlight as much as humanly possible, because I think that when actors, whether or not they've chosen it or it has been thrust upon them, are living very public lives, it affects your ability to get lost in their performances.
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The white audiences thought I was white, my features being what they are, and at every performance I'd have to take off my gloves to prove I was a spade.
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So the first thing I learned about how to get superior performance is not to buy stocks that are near their lows, but to buy stocks that are coming out of broad bases and beginning to make new highs.
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Before the whole music business was calibrated around the selling of records. I never could have imagined that live performance would become kind of a vortex of the business. It's such a seismic shift really.
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A big fear of working with an actor that's never been a lead in a film before is that you're going to have to work really hard to pull a performance out of her.
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People have mistaken my break, I took a break from competition, it was because of mental problems, and because I was not agreeing with Performance Enhancing Drugs. I put the things on pause for a while, but I didn't retire.
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I told the kids not to get up or down on their performances. It's indoor. We just have to keep believing in ourselves and each other and good things will come.
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When I go onstage, I'm going to work ...I feel like my performance is about an emotional connection. I want to connect with people, whether it's like a romantic song or a happy song.
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I hated the whole idea of being an actress. I used to throw up before every performance and cry afterward.
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Life is a play.It's not its length,but its performance that counts.
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I stand or fall in my profession by the public's judgement of my performances. No amount of publicity can dampen a good one or gloss over a bad one.
