Print Quotes
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You see something happening and you bang away at it. Either you get what you saw or you get something else--and whichever is better you print.
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Whenever possible print a woman's age.
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Paste Magazine needs to stay in business! It's the first non-sensational quality music and film publication that doesn't only attempt to appeal to middle-aged male Bob Dylan completionists! And there are still many of us who love to pick up a print magazine instead of going online.
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Theories by women about women have only recently begun to appear in print. Theories by men about women are abundant.
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I don't care if you print something nasty about me. If it's true, fine. I don't care. But just make sure it's the truth.
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I always give a print to everybody I photograph, and some of my subjects have told me they have a hard time hanging them up at home.
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Psychedelics are not flashlights into the chaos of the Freudian unconscious, they are tools for mathematically unpacking your mind into a higher dimensional space. In the Newtonian and print created space that we are walking around in you, are like a self extracting archive, that hasn't self extracted itself yet.
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With iPad publishing, you can try new things, experiment, and even launch new magazines without the massive risk normally associated with print publishing. The future is digital, so there will be a digital version of everything we do going forward. There has to be. The cheese has been moved.
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Print some money and give it to us for the rain forests.
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In a way, film and television are in the same sort of traumatic trance that print journalism is. The technology has outpaced our comprehension of its implications.
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What I do is whatever it takes, it takes. Sometimes you see a scene right away and a take looks great so you might print that and you might print a couple more and take elements of all three. It just depends. You're looking for the highlights. You're looking for the best elements of the scene, but preferably you'd like to have one good take that would go all the way through.
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When you make a Blu-ray, its not the same as the print process was. You have little or no control over any print that was ever made. You are a victim of the 35mm printing process.
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What the good Lord lets happen, I am not ashamed to print in my paper.
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Nobody sold prints then and prices didn't mean anything. In terms of earning your living, it was a joke.
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I need not print a line, nor conjure with the painter's tools to prove myself an artist ... Whilst in other spheres of labor the greater part of our life's toil and moil will of a surety end, as the wise man predicted, in vanity and vexation of spirit, here is instant physical refreshment in the work the garden entails, and, in the end, our labor will be crowned with flowers.
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You know how they say, "Find your voice"? That's your voice, in your pajamas. And it doesn't mean that you're going to publish it or print it or people are going to see you in your pajamas. It just means you are going to construct the foundation in your pajamas, in that voice.
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Satriani's Law: There's at least a 30% chance that someone will print the name Satriani incorrectly
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Movie distribution may very well have migrated fully to digital form by then, making a huge dent in the need to print film and physically distribute content.
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People think that because they've seen your name in print, you're rich. I assume that. But all it means is that there was some intrepid interviewer who bothered to give you a call.
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It used to be, if you were a reporter, you wrote a story and then you moved on to the next one. We were used to people coming to the New York Times. We waited for them to turn on our website or to pick up our print paper and see what we have. We now understand that we have to make our stories available to our readers. A lot of people get their news from Facebook or Twitter and we want to make sure that they see some of our best stories there, too. We do this more aggressively now than we did before.
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I have no idea what's going to happen. Who knows - if they can't afford to buy a boat, maybe they buy a print. Who knows what happens with their buck?
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During my past career as a journalist, I relished writing obits and equally dreaded phoning relatives for the necessary facts. But to my surprise and great relief, they often wanted to talk - they wanted their recently deceased loved ones recorded in print.
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our finger prints dont fade from the lives we touch
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A lot of my friends were mostly working in black-and-white-people like Lee Friedlander, Diane Arbus, Garry Winogrand, and others. We would exchange prints with each other, and they were always very supportive of what I was doing. What each of us was doing photographically was entirely different, but we were basically coming from the same place, sort of like a club.
