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		I think that a huge positive that's come out of me having successful competitions as an athlete has been that, through the years it's become less and less about personal victory and more about strengthening a platform for me to have a voice in the world and I could really talk about anything I wanted to and I've chosen to make my voice be heard and be recognized for some of the charities that I really care about and work very closely with.
	
	  Evan Lysacek Evan Lysacek
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		The frantumaglia is an unstable landscape, an infinite aerial or aquatic mass of debris that appears to the I, brutally, as its true and unique inner self. The frantumaglia is the storehouse of time without the orderliness of a history, a story. The frantumaglia is an effect of the sense of loss, when we’re sure that everything that seems to us stable, lasting, an anchor for our life, will soon join that landscape of debris that we seem to see. The frantumaglia is to perceive with excruciating anguish the heterogeneous crowd from which we, living, raise our voice, and the heterogeneous crowd into which it is fated to vanish.
	
	  Elena Ferrante Elena Ferrante
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		Whenever you are willing to obey me, Much-Afraid, and to follow the path of my choice, you will always be able to hear and recognize my voice, and when you hear it you must always obey. Remember also that it is always safe to obey my voice, even if it seems to call you to paths which look impossible or even crazy.
	
	  Hannah Hurnard Hannah Hurnard
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		People are discouraged from voting and part of what is important for Latino citizens is to make your voice heard, because you're not just speaking for yourself. You're speaking for family members, friends, classmates of yours in school.
	
	  Barack Obama Barack Obama
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		Type well used is invisible as type, just as the perfect talking voice is the unnoticed vehicle for the transmission of words, ideas.
	
	  Beatrice Warde Beatrice Warde
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		She expressed herself in sentences that were well constructed, and without error, even though she had stopped going to school, but – further – she left no trace of effort, you weren’t aware of the artifice of the written word. I read and I saw her, heard her. The voice set in the writing overwhelmed me, enthralled me even more than when we talked face to face; it was completely cleansed of the dross of speech, the confusion of the oral.
	
	  Elena Ferrante Elena Ferrante
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		“No matter how silly you feel or uncool you look, no matter how small that voice inside you is, that voice telling you something isn’t right: listen to it.”
	
	  Viviane Katrina Louise Viviane Katrina Louise
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		My overarching point is that the Gospels, and all the books of the Bible, are distinct and should not be read as if they are all saying the same thing. They are decidedly not saying the same thing—even when talking about the same subject (say, Jesus’ death). Mark is different from Luke, and Matthew is different from John, as you can see by doing your own horizontal reading of their respective stories of the crucifixion. The historical approach to the Gospels allows each author’s voice to be heard and refuses to conflate them into some kind of mega-Gospel that flattens the emphases of each one.
	
	  Bart Ehrman Bart Ehrman
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		“Just so you know, I'm straight. Totally straight. As an arrow."
Her voice held a smile. "So am I”
	
	  Carrie Vaughn Carrie Vaughn
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		My goal in writing for teens and tweens is to help my audience feel inspired and empowered today, to find their voice today, to believe that they can truly design the life of their dreams...today. I mean seriously...why wait?
	
	  Deborah Reber Deborah Reber