Paris Quotes
-
I was born in Paris in 1950. I had a strict upper-class Catholic education but I never really fitted in the system and revolted against it quite early.
Francois Gautier
-
I regard Paris as a feast for the eyes, the senses and brain. It is a phenomenal city.
Arthur Frommer
-
I was born in Paris in the mid-1960s, and by the time I was 12 I had started going to the movies by myself. Most of the movies of that period never appealed to me. I didn't like the 'naturalism,' the sad or the 'down-to-earth' characters. What I wanted from film was fantasy, dreams, funny situations, extravagant decor - and beautiful women.
Christian Louboutin
-
I bought a Dutch barge and turned it into a recording studio. My plan was to go to Paris and record rolling down the Seine.
Pete Townshend
The Who
-
While my calendar with Moda Operandi often takes me to fashionable locales like Milan and Paris, I am thrilled when opportunities to visit new places present themselves.
Aslaug Magnusdottir
-
In 1964, Jeanne-Claude and I became illegal aliens. That's when we moved here from Paris. And for three years, we were illegal aliens living in an illegal building. At that time, some artists started to move to SoHo, and they put A.I.R. - artists-in-residence - up on their windows.
Christo
-
Actually, it was in Paris in 1914 that I did my first collages, for an occultist friend. They were mysterious portico's which were supposed to replace mural paintings and which evoked the structure of palm branches or fish-bones. remark on the first collages Arp made, in different materials
Jean Arp
-
Paris is mostly retired people - I love it, and it's a beautiful city, but it's quite slow.
Carine Roitfeld
-
Budapest is a prime site for dreams: the East’s exuberant vision of the West, the West’s uneasy hallucination of the East. It is a dreamed-up city; a city almost completely faked; a city invented out of other cities, out of Paris by way of Vienna — the imitation, as Claudio Magris has it, of an imitation.
M. John Harrison
-
Paris somehow lends itself to conceptual new ideas. I don't know why it is. There is a certain magic to that city.
Walter Kohn
-
The Hore-Laval proposals were not so frightfully different from those put forward by the Committee of Five. But the latter were of respectable parentage: and the Paris ones were too much like the off-the-stage arrangements of nineteenth-century diplomacy.
Edward Wood, 1st Earl of Halifax
-
As for Sisley, I just can't enjoy his work visiting the Paris Impressionism-exhibition of art-dealer M. Petit, May 1887, it is commonplace, forced, disordered; Sisley has a good eye, and his work will certainly charm all those whose artistic sense is not very refined.
Alfred Sisley
-
I had fallen in love with photography and was making a living doing photographic features for publications such as 'Picture Post,' 'Paris Match' and 'Life' magazine. But in 1939, I saw a huge headline, which I think was in the 'Sunday Express.' It said, 'Danzig - Danger Point of Europe.' I packed up my Leica, got on a train, and went.
Douglas Slocombe
-
When I'm in Paris, my favorite market is the Marche Raspail on the Left Bank.
Alain Ducasse
-
My grandmother used to get her shoes made in Paris in the '30s, and they would be shipped to her in Singapore.
Kevin Kwan
-
Beyond combating global warming and supporting domestic business interests, remaining a part of the Paris Agreement has clear benefits to the U.S. at large. Nations such as China and India are already eyeing an opportunity to take over America's role as the world leader on this issue.
Christine Todd Whitman
-
I sketch literally all the time; constructing a collection is like building a family - you have to have a certain balance. I isolate myself - I need to be concentrated for this so I leave Paris, I leave to a place without a phone.
Christian Louboutin
-
Almost every evening in their common early-Cubist years, in Paris, either I went to Braque's studio or Braque came to mine. Each of us had to see what the other had done during the day. We criticized each other's paintings. A canvas wasn't finished unless both of us felt it was. a remark of Picasso to Françoise Gilot, December 1908
Pablo Picasso