Emotional Quotes
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In the first test screening of 'RoboCop,' it tested very high. Then they asked the people why they liked it, and the first answer was, 'I liked it because it was political.' And the second answer was because, 'It feels like it deals with current affairs.' And the third answer was, 'Because it feels emotional.'
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When I am writing a story it feels as real as the life I am experiencing off the page. It's an emotional illusion, I guess.
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I am very conscious of the viewer because that's where the art takes place. My work really strives to put the viewer in a certain kind of emotional state.
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Playing live is what it's all about for me. It's cathartic, it's emotional, it's about communing with people. The way you feel after a gig is a such a powerful thing.
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What a director really does is set the emotional temperature and the mood and the level, amount, or lack of, distance between the action and the character, and the character and the audience.
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I'm an emotional person. I'm not going to deny that. If I feel a certain way, I'll express it on the track.
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My kids say if there's any family dinner that doesn't result in somebody crying, it's not a good dinner. They cry because it helps relieve them of a guilt or some onerous emotional burden. It's like a family tradition.
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I think it's because it was an emotional story, and emotions come through much stronger in black and white. Colour is distracting in a way, it pleases the eye but it doesn't necessarily reach the heart.
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I'm very emotional, very explosive, very temperamental.
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Sometimes I'll meet somebody, and they've looked me up online or whatever, and they've never heard me talk or met me. I think they expect me to be a lot darker than I am and maybe less - not less friendly - but I guess I'm drawn to that dark emotional music. Maybe they think I'm a little more brooding.
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At the end of the day, sleep is a barometer of your emotional health. And so if you're not in the right place where you need to be, then you're going to have voices keeping you up at night because you have to work through those issues.
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The movie business is very much like that: people in authority making purely emotional decisions instead of interesting rational ones.
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I'm an emotional person. I may not seem that way, but I'm an emotional person.
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If I have any complaints about my youth... one is that many well-meaning adults lied to me. Not spiteful lies with malicious intent but lies designed to prevent emotional and psychological pain - lies told by the people who cared about me most: my parents, teachers, relatives.
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Acting is the most personal of our crafts. The make-up of a human being - his physical, mental and emotional habits - influence his acting to a much greater extent than commonly recognized.
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A periodic tune-up of our personal priorities and a regular safety inspection of the direction and desired destination of our lives help insure us against major temporal, emotional, and spiritual breakdowns.
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No one writes about the emotional things you go through.
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People, me included, have a truly emotional thing about this iPad.
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I usually start from the most general to the more specific. I'll get an emotional overview for the film as a whole, trying to pinpoint what the musical identity is and come up with thematic ideas - any ideas that identify as succinctly as possible what the film is.
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Much violence against women originates in emotional territory that they already command. By midlife and early old age, as the hormones of both genders change, women are in total, despotic control of their marriages.
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Think against your feelings; unmask the unbelief they have nourished; let evangelical thinking correct emotional thinking.
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I love telling stories. I love the intimacy between the writer and reader. When you write sketches it's over in two minutes. When you write a book the characters have to have a bit of emotional depth.
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Toward the end of the '90s, it got pretty rough for me - a lot of emotional unrest and problems with my relationships. That affected my career.
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An actress must be a woman whose emotional perceptions are true, and to make them so, she must have a fine contempt for any art or thought that betrays them for something false.
