Bernard Hopkins Quotes
Quotes to Explore
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When I go back to New York all these years later, I'll walk down Seventh Avenue, and I'll hear, 'Yo, Oz!' In New York, I get recognized for that all the time.
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I keep waiting for a paradigm shift to happen that will let network and studio execs see that sci-fi is the same as any other genre in terms of how you approach it - logically, character-based, with challenging ideas and forward thinking - but I worry that it might never happen in my lifetime.
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I always point out to my Passover guests that the Hebrews were not living in isolation. They were at the crossroads of several great, elaborate cultures with their own mythology and religion and art and architecture and cultural belief. In fact, so many of the mythologies of the world describe the same events, just from different points of view.
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I want to do roles that take women a step farther. I don't want to be slotted into anything. But if I get a brilliant role which requires me to be a mother, then I will do it. But I want people to see that a woman could be anything at whatever age, even if she is married or has two kids.
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It's really important to find something you really enjoy - something you can focus on and be good at.
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Job-wise, I did have a moment of panic that I should have been a doctor a few years ago, but I hate when people vomit.
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I used to have the very standard worldview. I can easily identify with people who see computers getting faster and smarter, and technology getting more and more beneficial, without seeing the other side.
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A good catchword can obscure analysis for fifty years.
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When I graduated, I was director of my school's sketch comedy group, and I knew that I wanted to be writing and performing my own sketch comedy. It kind of made me want to do my own one-person sketch group.
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I know people think that a lot of sports stars are a little bit up themselves, but they all have their heroes, too.
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Old Etonians are the most charming people in the world. It's not just the analytic ability and the great education; there is a really easy confidence to them that draws people to them and makes their passage though the world a little easier.
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Years ago, I carved out an identity, and it has always been about having a voice to tell people about stuff I love.
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A resilient culture has a certain amount of resistance embedded in it. Not so much to capsize it, but enough so that it doesn't atrophy.
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I think one reason my books have found mainstream success is that they're written from a skeptical point of view.
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'The Fight Club' DVD is great. I like anything that has really good extras because as an actor, it's really great to see the behind-the-scenes stuff and see how different actors approach their particular project.
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Calculated risks of abuse are taken in order to preserve higher values.
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Intimate scenes on a movie set are just dry, bizarre things; people standing around.
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I've been into every doo-wop there is. I think I went to the university of doo-wop-ology.
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What's great is that I keep hearing from people who are discovering 'Friday Night Lights' because of streaming and Netflix and Hulu and all of these things. Somehow... things don't get old as fast as they used to. They stay vibrant.
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The Beatles, the Rolling Stones and Phil Spector. Those were my idols.
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If the crowd is too big, it's too much for me. I took my daughter down there, and all I did was spend all of my time worrying that she was going to get lost because you're caught between somebody with a sandwich in their hand and somebody in a costume. It's really crazy.
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Lost in Space brings back a lot of memories for people, and I think that any time you're involved in something that has such a long-lasting appeal, you feel very blessed by that.
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None of us know what is going to sell or what people want to read.
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I have already bent time to my will.
