Kenya Barris Quotes
Quotes to Explore
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Soon I knew the craft of experimental physics was beyond me - it was the sublime quality of patience - patience in accumulating data, patience with recalcitrant equipment - which I sadly lacked.
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I'd rather learn from one bird how to sing than teach ten thousand stars how not to dance.
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I was in the military, and then I went to university to study biology.
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I did not have three thousand pairs of shoes, I had one thousand and sixty.
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It's funny, I remember doing the Johnny Carson show, and, uh, I couldn't afford my rent.
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The mistake of the West was to put the Sauds on the throne of Saudi Arabia and give them control of the world's oil fortune, which they then used to propagate Wahhabi Islam.
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Art is subjective. I'm not looking for people's praise.
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I was a good decathlete until I got with a coach that really knew how to train specifically for the event... I'd really describe it as like being a juggler; you have ten balls and you're trying to get them all in the air at the same time.
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We live in an inter-dependent world. An isolated India is not in our interest.
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All the women in my family are very dramatic by themselves. They make the biggest things out of nothing. I think that's where I learned a lot about being emotional.
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I'd always put on little shows at home, but when I was 11, I did a community event in Woodford, where anyone could go. You had three days of vocal training and performed your song at the end.
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I want to keep a thread between the studio and the stage, and I want to flow more easily from one to the other.
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It's not enough to just mildly want what you want. You must wildly want what you want. Nobody ever got their greatest wishes by being wishy-washy. You need to put extreme energy into your power of intention to win what you wanna win.
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I love simplicity.
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If there's a will, prosperity can't be far behind.
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Many people think fairy tales and retellings of fairy tales are only for children, but I'm not the only writer to take an old tale and retell it for a sophisticated adult audience.
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I grew up in Albany Park in Chicago and then went to Lake View High School.
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I am a victim-oriented person. I like to see that the victims know that they have a voice.
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I didn't think, 'I'd really like to work in TV; maybe I could carve out a niche where I talk to people who are somehow involved in marginal or difficult lifestyles... ' It was something I gravitated to very naturally as a subject area, almost instinctively, and somehow turned into a TV career without meaning to.
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Being a woman in control of a company - even a small private company, as ours was then - was so singular and surprising in those days that I necessarily stood out. In 1963, and for the first several years of my working life, my situation was certainly unique.
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Building your own house is a primal urge, one of those universal genetic drives like the need to provide for your family.
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My job consists of basically masking my contempt for the assholes in charge, and, at least once a day, retiring to the men's room so I can jerk off while I fantasize about a life that doesn't so closely resemble Hell.
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I wanted to write a happy song. I didn't know how.
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My kids are nothing like I remember black kids being when I was a kid.
