Katherine Kelly Quotes
One of my first memories is running up and down the theatre at Wakefield Opera House.
Quotes to Explore
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I suppose I often think of my writing as quite impersonal. But it turned out, when my father died, writing was exactly what I wanted to do.
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I remember I was a little girl when Elizabeth Taylor stole Eddie Fisher from America's Sweetheart, Debbie Reynolds, and the reaction back then was enormous! And Angelina Jolie was in trouble, too, for taking a husband away from another America's Sweetheart. Don't take husbands from America's Sweethearts.
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I'm a sort of nuts-and-bolts guy. I'm into turning wrenches and swinging a hammer and wrenching on cars.
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Playing evil is just not interesting. I don't think anyone who does evil stuff thinks they're doing evil stuff. That's the scary part.
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My songs are very personal, which means they are fantastically therapeutic to write, but performing them night after night is emotionally draining.
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I was playing in other rock bands. Any of those bands didn't last long.
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The job as a coach is difficult.
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I think the fame aspect, there was definitely a period when I had to get used to it. My family had to get used to it, too. It's exciting.
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I'm very competitive but in a very nice way.
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When I cook a meal, I like to serve things one by one and keep them separate. I get that from my father - he's such a purist. Some people even put their desserts on the main plate. It's just wrong.
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'Independents' - the industry term for companies that have more capital and know-how than the typical 'wildcatter' - can grow either by exploring and finding reserves or by buying a company that already has them.
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I think I had the most fun making a movie with 'Dedication,' just because you knew that it was a passion project for everyone involved. We had X amount of days to shoot New York in the cold. No trailers. Just sort of kind of doing it guerilla style in a way.
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A creationist can embarrass an evolutionist by asking for a definition of species.
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As an actress, as you get older, you find yourself in a situation where you play mothers or women who are hoping to be mothers.
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I was running for mayor of Syracuse - the first woman to run for mayor in our city, or in New York, and one of the first in the United States. I was known for my strong conservation plank. In 1969, the term 'conservation' was hardly on the tip of every citizen's tongue.
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The economic sense of possibility was so great when I was growing up that my parents had no question that I could do anything I wanted to do, even as a girl. I've always believed that the economics of a story intersects with the women's story - that stuff often happens at the time it happens because of the economy.
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Reggie Jackson hit one off me that's still burrowing its way to Los Angeles.
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Every song I write is autobiographical and is about people, and that's one of the things that gets complicated. You have to decide where's your place as a songwriter.
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I worked with a man named Patty Crane who was Errol Flynn's stand-in back in the '30s in Hollywood.
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I believe that, by directing, it makes me a better executive as well.
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For me, good films and good books are irreducible to a lesson. You can't just kind of translate them into one statement. On the contrary, the more you do that, the less wisdom in art there is.
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I only went along to youth theatre with a friend when I was young to try to make myself a bit more sociable. But the whole thing was quite sore; it really hurt me trying to get into drama school. It was a world I knew nothing about - it was very middle class; all that usual stuff. But I was young, determined, and I just went for it.
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One of my first memories is running up and down the theatre at Wakefield Opera House.
