Katherine Kelly Quotes
One of my first memories is running up and down the theatre at Wakefield Opera House.
Quotes to Explore
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I suppose I often think of my writing as quite impersonal. But it turned out, when my father died, writing was exactly what I wanted to do.
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I remember I was a little girl when Elizabeth Taylor stole Eddie Fisher from America's Sweetheart, Debbie Reynolds, and the reaction back then was enormous! And Angelina Jolie was in trouble, too, for taking a husband away from another America's Sweetheart. Don't take husbands from America's Sweethearts.
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I'm a sort of nuts-and-bolts guy. I'm into turning wrenches and swinging a hammer and wrenching on cars.
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Playing evil is just not interesting. I don't think anyone who does evil stuff thinks they're doing evil stuff. That's the scary part.
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My songs are very personal, which means they are fantastically therapeutic to write, but performing them night after night is emotionally draining.
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I was playing in other rock bands. Any of those bands didn't last long.
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The job as a coach is difficult.
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I think the fame aspect, there was definitely a period when I had to get used to it. My family had to get used to it, too. It's exciting.
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I'm very competitive but in a very nice way.
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When I cook a meal, I like to serve things one by one and keep them separate. I get that from my father - he's such a purist. Some people even put their desserts on the main plate. It's just wrong.
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'Independents' - the industry term for companies that have more capital and know-how than the typical 'wildcatter' - can grow either by exploring and finding reserves or by buying a company that already has them.
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I think I had the most fun making a movie with 'Dedication,' just because you knew that it was a passion project for everyone involved. We had X amount of days to shoot New York in the cold. No trailers. Just sort of kind of doing it guerilla style in a way.
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A creationist can embarrass an evolutionist by asking for a definition of species.
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As an actress, as you get older, you find yourself in a situation where you play mothers or women who are hoping to be mothers.
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I was running for mayor of Syracuse - the first woman to run for mayor in our city, or in New York, and one of the first in the United States. I was known for my strong conservation plank. In 1969, the term 'conservation' was hardly on the tip of every citizen's tongue.
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The economic sense of possibility was so great when I was growing up that my parents had no question that I could do anything I wanted to do, even as a girl. I've always believed that the economics of a story intersects with the women's story - that stuff often happens at the time it happens because of the economy.
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Reggie Jackson hit one off me that's still burrowing its way to Los Angeles.
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Every song I write is autobiographical and is about people, and that's one of the things that gets complicated. You have to decide where's your place as a songwriter.
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This is probably going to surprise people, but if you were to do a scan around the globe on public policy concerning our industry, you would probably have to conclude that the United States has the policy that has been, I believe, the most pro competition.
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The army should go back to their assigned duties, and police should take the responsibility of fighting the cartels.
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The objective of hypertext research is to save the planet.
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Don't Cry Daddy is a pretty sad song. He got to the end of it and it was just real quiet and Elvis says, I'm gonna cut that someday for my daddy. And, by God, he did. He lived up to his word.
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One of my first memories is running up and down the theatre at Wakefield Opera House.
