Frederick Douglass Quotes
People might not get all they work for in this world, but they must certainly work for all they get.
Quotes to Explore
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Far worst of all, the fever had settled in Mary's eyes, and Mary was blind.
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I consider music to be storytelling, melody and rhythm. A lot of hip-hop has broken music down. There are no instruments and no songwriting. So you're left with just storytelling and rhythm. And the storytelling can be so braggadocious, you're just left with rhythm.
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I was always very determined and ambitious, and I knew I would do something that would let me travel and stuff, but I didn't know really know what I would do to get there.
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I'm a chubby middle-aged white guy with short hair. I think that's it, really. I kind of have a look. Right now, I'm not fat enough to be the fat friend, but I'm not thin enough to be the leading man, so I look like a cop.
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In the day-to-day, farm work is stress relief for me. At the end of the day, I love having this other career - my anti-job - that keeps me in shape and gives me control over a vegetal domain.
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Americans should be wary of the Muslim Brothers in Egypt but not scared of them.
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Reverence is fatal to literature.
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Because I am afraid of commitment. This movie certainly has some bearing and is some reflection of my real feeling about relationships, because I do have commitment issues. My friends tell me I have intimacy problems, but they don't know me, so who cares what they think?
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Blip.tv is growing its audience by forming partnerships with traditional TV manufacturers and a new breed of company in the set-top box market that lets consumers connect to the Internet via their televisions.
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Acting is the work of two people - it's only possible when you have the complicity, the help, even the manipulation of a director.
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It's weird how people were always asking us, 'Are you real? Are you joking?' That seems like something Americans care about a lot. You can't answer the question 'Are you real?' If we're anything, we're documentary fiction.
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I'm more comfortable writing traditional protagonists. But 'Steve Jobs' and 'The Social Network' have antiheroes. I like to write antiheroes as if they're making their case to God about why they should be allowed into heaven. I have to find something in that character that is like me and write to that.
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I've approached every character I've ever played with a poem, first and foremost.
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I would say that to put architecture in the chain of history, to be able to interpret and understand why we are where we are, is quite crucial.
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Sculpture is something you bump into when you back up to look at a painting.
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A writer has a difficult fate, but a Jewish writer has an especially difficult fate. His soul is torn; he lives on two streets with three languages. It is a misfortune to live on this sort of 'border,' and that is what I have experienced.
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Nobody has ever measured, not even poets, how much the heart can hold.
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If you want to get across an idea, wrap it up in person.
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I'm the 1st black platinum artist in Detroit, solo artist in Detroit.
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The 'Lone Star' experience was tough at the time, but it really allowed me to look at things from a 3,000-foot high view. You can think something is the greatest thing in the world, but, as we know, anything can happen. It really taught me that I always want to make choices that I believe in artistically. No one can take that away from you.
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Expression, to a great extent, is a matter of terms, and terms are anyone's. The meaning of 'God' may have a billion interpretations if there be that many souls in the world.
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People might not get all they work for in this world, but they must certainly work for all they get.
