Frederick Douglass Quotes
People might not get all they work for in this world, but they must certainly work for all they get.
Quotes to Explore
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Far worst of all, the fever had settled in Mary's eyes, and Mary was blind.
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I consider music to be storytelling, melody and rhythm. A lot of hip-hop has broken music down. There are no instruments and no songwriting. So you're left with just storytelling and rhythm. And the storytelling can be so braggadocious, you're just left with rhythm.
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I was always very determined and ambitious, and I knew I would do something that would let me travel and stuff, but I didn't know really know what I would do to get there.
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I'm a chubby middle-aged white guy with short hair. I think that's it, really. I kind of have a look. Right now, I'm not fat enough to be the fat friend, but I'm not thin enough to be the leading man, so I look like a cop.
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In the day-to-day, farm work is stress relief for me. At the end of the day, I love having this other career - my anti-job - that keeps me in shape and gives me control over a vegetal domain.
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Americans should be wary of the Muslim Brothers in Egypt but not scared of them.
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I kind of crave loneliness.
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Reverence is fatal to literature.
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By no means do I want to try to leave country music. That's absolutely where I want to stay.
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The numerous evils to which individual persons are exposed are due to the defects existing in the persons themselves. We complain and seek relief from our own faults; we suffer from the evils which we, by our own free will, inflict on ourselves and ascribe them to God, who is far from being connected with them!
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Because I am afraid of commitment. This movie certainly has some bearing and is some reflection of my real feeling about relationships, because I do have commitment issues. My friends tell me I have intimacy problems, but they don't know me, so who cares what they think?
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Blip.tv is growing its audience by forming partnerships with traditional TV manufacturers and a new breed of company in the set-top box market that lets consumers connect to the Internet via their televisions.
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Acting is the work of two people - it's only possible when you have the complicity, the help, even the manipulation of a director.
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It's weird how people were always asking us, 'Are you real? Are you joking?' That seems like something Americans care about a lot. You can't answer the question 'Are you real?' If we're anything, we're documentary fiction.
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I'm more comfortable writing traditional protagonists. But 'Steve Jobs' and 'The Social Network' have antiheroes. I like to write antiheroes as if they're making their case to God about why they should be allowed into heaven. I have to find something in that character that is like me and write to that.
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I've approached every character I've ever played with a poem, first and foremost.
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I would say that to put architecture in the chain of history, to be able to interpret and understand why we are where we are, is quite crucial.
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Sculpture is something you bump into when you back up to look at a painting.
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I loved rock and roll when that came in, Bill Haley, Little Richard, Fats Domino, Buddy Holly, Elvis Presley, all those great records. So I begged my mom and dad for a guitar, which eventually they did get me for Christmas, but it went out of tune very quickly, and it hurt my fingers.
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Buddy Holly was the geekiest looking guy in the world, but he had some really rockin tunes.
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I write my own songs. I made my own videos. I pick my producers. Nothing goes out without my permission. It's all authentic.
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We are moving beyond the non-fiction novel to different kinds of narrative art, different forms of cognition. Loaded with moral and political point, narrative has been recalibrated to record, honour, and protest the latest historically specific instance of futility and mess.
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People might not get all they work for in this world, but they must certainly work for all they get.
