Neil Innes Quotes
So we used to look for funny songs, and learn them and play them. And we used to play them in pubs.
Quotes to Explore
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To write a good mystery you have to know where it will end before you can decide where it will begin... and I've always known where it will end.
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I have spent a lot of time listening to people who are serving life sentences and getting to know them and the circumstances of their lives. I have never met anyone serving a long prison sentence who had anything close to what I could call a childhood; instead, the upbringings always - always - involve extreme situations of poverty and abuse.
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I never try to follow a trend or fashion.
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When I won the belt, it was kind of a precedent... The only Canadian to have ever held it.
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When I first got Yves Saint Laurent Couture, I didn't know how to take off a cape. I would ask Katoucha and Dalma - the real divas of the runway - 'Can you show me?' I've never been afraid to ask for help.
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I can't read novels while I'm writing a novel, because somebody's voice creeps in.
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I always believed in my ability, but I think in any sport you need that little bit of luck.
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As a developing musician, skiffle became a platform for me to start playing music.
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When you assume negative intent, you're angry. If you take away that anger and assume positive intent, you will be amazed. Your emotional quotient goes up because you are no longer almost random in your response.
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I love the simplicity and freedom of running. A pair of shoes, and you are all set to explore new trails.
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I can understand Communism, but not Socialism.
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Being the world's greatest athlete just does not get it done on the golf course.
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In most cases, my favorite Jethro Tull songs will be determined by how I feel about them as live performance songs, not by the recorded identity.
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Frances Conroy - brilliant, brilliant actress.
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A bicycle has transformed my experience of London.
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A few goals is the way soccer is meant to be played.
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In theatre, you've got to make the connect with your audience in the first three minutes. If you haven't, you know you've almost lost them.
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When my daughter wanted a toy and I had to check the price of it before buying it - that was one of the worst feelings.
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There's different kinds of improv. There's Second City improv where you try to slowly build a nice sketch. There's stuff you do in college coffee houses where you just go joke, joke, joke. Bring another funny character with a funny hat on his head. Christopher Guest is more the line of trying to get a story out.
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I decided I like that mode. It's how I think - it's my voice. I like being funny and sad at the same time, or funny and disturbing at the same time. It's my natural voice.
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Limousines used to be reserved for the ruling class, or, on special occasions, for the working class. Today, limousines are like taxicabs with the door handles still intact.
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When I saw 'Caddyshack,' I realized I couldn't act.
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We felt like we had some other players that fit the role for us and do a lot of things for us. It was a competitive thing.
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So we used to look for funny songs, and learn them and play them. And we used to play them in pubs.
