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...I haven't seen so many dirty snouts, and slimy arseholes crammed into such a small space since I last looked inside a sausage.
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I wanna do some more goofy comedy stuff; I really enjoyed doing 'A Touch of Cloth.'
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I've got a phobia about throwing up.
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I remember when I realised, as a child, 'That stuff on the TV about nuclear bombs is real! Why isn't everyone running around shouting 'Aaarrgghh'? Why are people still buying bicycle clips?'
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'MasterChef' delivers all the reassuring, cadenced repetition of an endless chore without any of the bothersome elbow grease.
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We humans are great at creating tools with unforeseen consequences. For instance, when we invented the wheel, we had no way of knowing we were also laying the foundations for the TV show 'Top Gear.'
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I didn't pass my degree due to never handing in an acceptable dissertation, and while it didn't harm me in the long run, my failure to complete the course properly probably led me to spend the next six years or so coasting, unsure of what to do next.
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My bookshelves chiefly function as a snapshot of what I was reading prior to the invention of the Kindle.
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I like technology, but 'Black Mirror' is more what the consequences are, and it doesn't tend to be about technology itself: it tends to be how we use or misuse it. We've not really thought through the consequences of it.
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I'll stop calling it the iPhone right now. Instead, for the remainder of this article, it'll be known as the Jabscreen. A better name in any case.
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Fortunately for whining snotface, the party itself goes with a bang. She enters looking every inch the cosseted flesh-waste she is, and her and her nauseating idiot scumbag friends celebrate into the night: dancing, shrieking, acting like pillocks, and generally making you feel like getting down on your knees and praying for a nuclear holocaust.
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I don't know how, at an age when you're trying to put your identity together, how you cope with the pressure of a performance space, which is what social media is.
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Amplifying body-image issues, profiting from anxiety, and employing virtual slaves in sweatshops are bad enough, but the fashion industry is also actively hastening the destruction of the very Earth we walk on. It insists on launching fresh collections each season, declaring yesterday's range obsolete on a whim.
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In the early '80s, the arcade game Pac-Man was twice as popular as oxygen.
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It must be awful, being a homophobe.
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It's a rum state of affairs when you feel like punching a jar of mayonnaise in the face.
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I can't imagine painting my face in a team colour and roaring with delight as a multi-millionaire kicks a ball at a net.
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Man the lifeboats. The idiots are winning.
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...the news might be single-handedly trying to bring about an environmental catastrophe, which it will then report on.
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At first glance, My Super Sweet 16 appears to be a sugary bit of reality drizzle about some irritating American brats, but the more you watch it the more you realize it’s actually a stonehearted exposé of everything that’s wrong with our faltering so-called civilization.
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A lot of people think right-wingers aren't capable of being amusing at all. Not true. Mussolini looked hilarious swinging from that lamppost.
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I haven't always been the kind of man who plays videogames. I used to be the kind of boy who played videogames.
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Ever since about 1998, when humankind began fast-forwarding through the gradually-unfolding history of progress, like someone impatiently zipping through a YouTube clip in search of the best bits, we've grown accustomed to machines veering from essential to obsolete in the blink of a trimester.
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I won't get over that in a hurry: my least favourite atrophied Hazel McWitch lookalike in the world, singing 'I just want to make love to you', right there on primetime telly. She has to be the only person on Earth who can take a lyric like that and make it seem like a blood-curdling threat without changing any of the words.