Katie Aselton Quotes
Quotes to Explore
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I read comics and I did science, and never really put them together until I accidentally found myself in the middle of one.
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The cutting room is where you discover the optimal length of the movie.
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Export anything to a friendly country except American management.
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I would love to do a period movie. I've always wanted to wear the corset, you know. It's a girl thing!
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I read Popular Mechanics, Popular Science, Reader's Digest... I read some responsible journalism, and from that, I form my own opinions. I also happen to be intelligent, and I question everything.
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I started submitting stories for publication when I was about 15, but it was many years before I sold anything. I don't make my living writing science fiction, so in that sense, I'm still not a pro.
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When I wrote 'Hatchet,' I knew that I was not re-inventing the wheel. That was never my intention. My goal was to make an '80s-style slasher flick that actually holds up. Basically, I wanted to make the movie that I wanted to see and pay no mind to current trends or conventions.
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A science is something which is constructed from truth on workable axioms. There are 55 axioms in scientology which are very demonstrably true, and on these can be constructed a great deal.
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Science makes no pretension to eternal truth or absolute truth.
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Books are my art. The movie is someone else's art. But it's great marketing for books.
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In every movie I do have a dialogue.
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The California Science Center is a cornerstone in California's push to educate and encourage students to reach their full potential and to pursue careers in science and engineering.
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Science fiction writers missed the most salient feature of our modern era: the Internet.
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It was priceless. Being the UFC champion and having my kids in the Octagon, my wife, them holding the belt. That was like a movie.
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I went to Yugoslavia to make a movie. People saw me there and asked me to do a movie in Germany. And that led to a movie in Italy. Before I knew it, I was in Europe for most of the next 10 years.
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I have a huge promotion: you've heard from me on 'Vantage Point' and also with 'Cyrano Fernandez' – that is a Venezuelan movie that I star in and co-produced, and it's based on the romance of Cyrano de Bergerac. And it's set in a Venezuelan slum. It's a free version of the French play.
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As a storyteller, when you're writing a movie and when you're directing, you want to keep people entertained. That's the whole point, right? It has to be entertaining.
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I fell in love with the whole process of making a movie. I loved the sets. I loved watching the actors and the crew.
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Music is, of course, a universal emotional experience, cutting across cultures and languages. I studied piano for ten years as a child and consider that experience one of the most valuable in my life.
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The people who run record companies now wouldn't know a song if it flew up their nose and died. They haven't a clue, and they don't care. You tell them that, and they go, Yeah? So, your point is?
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In war, you win or lose, live or die - and the difference is just an eyelash.
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Sex without smiling is as sickly and as base as vodka and tonic without ice.
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It's not rocket science to make a movie.
