Katie Aselton Quotes
Quotes to Explore
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I read comics and I did science, and never really put them together until I accidentally found myself in the middle of one.
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The cutting room is where you discover the optimal length of the movie.
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Export anything to a friendly country except American management.
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I would love to do a period movie. I've always wanted to wear the corset, you know. It's a girl thing!
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I read Popular Mechanics, Popular Science, Reader's Digest... I read some responsible journalism, and from that, I form my own opinions. I also happen to be intelligent, and I question everything.
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I started submitting stories for publication when I was about 15, but it was many years before I sold anything. I don't make my living writing science fiction, so in that sense, I'm still not a pro.
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When I wrote 'Hatchet,' I knew that I was not re-inventing the wheel. That was never my intention. My goal was to make an '80s-style slasher flick that actually holds up. Basically, I wanted to make the movie that I wanted to see and pay no mind to current trends or conventions.
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A science is something which is constructed from truth on workable axioms. There are 55 axioms in scientology which are very demonstrably true, and on these can be constructed a great deal.
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Science makes no pretension to eternal truth or absolute truth.
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Books are my art. The movie is someone else's art. But it's great marketing for books.
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In every movie I do have a dialogue.
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The California Science Center is a cornerstone in California's push to educate and encourage students to reach their full potential and to pursue careers in science and engineering.
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Science fiction writers missed the most salient feature of our modern era: the Internet.
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It was priceless. Being the UFC champion and having my kids in the Octagon, my wife, them holding the belt. That was like a movie.
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I went to Yugoslavia to make a movie. People saw me there and asked me to do a movie in Germany. And that led to a movie in Italy. Before I knew it, I was in Europe for most of the next 10 years.
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I have a huge promotion: you've heard from me on 'Vantage Point' and also with 'Cyrano Fernandez' – that is a Venezuelan movie that I star in and co-produced, and it's based on the romance of Cyrano de Bergerac. And it's set in a Venezuelan slum. It's a free version of the French play.
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As a storyteller, when you're writing a movie and when you're directing, you want to keep people entertained. That's the whole point, right? It has to be entertaining.
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I fell in love with the whole process of making a movie. I loved the sets. I loved watching the actors and the crew.
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When it comes down to it, the reason that science fiction endures is that it is, at its core, an optimistic genre. What it says at the end of the day is that there is a tomorrow, we do go on, we don't extinguish ourselves and leave the planet to the cockroaches.
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You know you're in a bad movie when the Catholic clergy is being played by Jews.
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Just as a new scientific discovery manifests something that was already latent in the order of nature, and at the same time is logically related to the total structure of the existing science, so the new poem manifests something that was already latent in the order of words.
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It's always a live experience - anything that happens around you. It's so easy to just put it to a song.
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As a performer, I'm constantly fascinated with the idea of being able to know what anybody else's experience is, and how misleading all informatives, like appearance, can be.
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It's not rocket science to make a movie.
