Kehlani (Kehlani Ashley Parrish) Quotes
I think, as musicians, our music should be who we are. Sometimes it's not - it's someone else's. All heartfelt music and all honest music, it's who we are. Of course, our upbringing has everything to do with it.
Quotes to Explore
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Don't let nobody tell you that you can't do it. Love what you do until you don't love it anymore. Nothing's impossible.
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What goes for sex goes double for politics.
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I think most writers will say that at the start of each book they think, 'I'm not sure I can do this.' But eventually, you reach a magical point where the story suddenly becomes real to you, and you become totally invested in it.
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I've never been that guy who says, 'Ooh, I have to play King Lear'. First off, that'd be a disaster anyway. I tend to read something and see who's involved, and then know I want to be part of it. But I don't think I'm through with comedy. I still love to make people laugh.
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Certainly our gay and lesbian brothers and sisters need to be supported in living out their call to holiness.
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Whenever he saw a dollar in another man's hands he took it as a personal grudge, if he couldn't take it any other way.
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From each according to his abilities, to each according to his needs.
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They got word that the Japanese planes were coming back, so we sunk her ourselves so the Japanese wouldn't get it. We didn't want the Japanese to get it intact.
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The Tao that can be told is not the eternal Tao; the name that can be named is not the eternal name. The Nameless is the origin of Heaven and Earth; the Named is the mother of all things.
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I started traveling by myself as early as 5 to see my dad. I'd go to Toronto or Los Angeles, depending on what show he was doing, but most often New York, and we would hang out, and he'd take me to museums and Broadway plays. The ones that had the biggest impact on me were the George C. Wolfe productions.
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If we were truly in the studio making a record, it would have been more time consuming, and certainly I would have been more involved in the writing process.
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I feel like I'm not the greatest general manager in the history of general managers, but I do OK, and I'm learning as I go. I try to just do my best with it.
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I believe in Karma. If the good is sown, the good is collected. When positive things are made, that returns well.
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I think I have a strange relationship with time. I'm not really aware of that time passing. I don't feel that I'm wasteful with time. But I'm not aware of it passing.
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In 1990, when I had just arrived in New York City as a wet-behind-the-ears 20-something girl from Arizona, I spent a year or more working as the personal secretary and secret ghostwriter to an American-born countess in her apartment on the Upper East Side.
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I struggled for many, many years following 'Music and Lyrics' - I mean really struggled.
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I am a kind of paranoid in reverse. I suspect people of plotting to make me happy.
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I have a superhero complex. If I see anything bad happen, I run towards it, rather idiotically because, after all, what could I do?
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With traditional school visits, I also get to speak with people who haven't read my books and talk about my writing process as well as the serious aspects I write about.
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I didn't think I liked country music. Then I got into Garth Brooks.
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There are so many of us that just do things to pay bills, but I never wanted that to be me.
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When I was in Kansas City everything was going well for me. My marriage was good and I was very successful in baseball but something was missing in my life. That something was Christ. Every human being is born with a little defect in his heart. That defect is a hole in the heart that can only be filled by Jesus Christ.
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I think, as musicians, our music should be who we are. Sometimes it's not - it's someone else's. All heartfelt music and all honest music, it's who we are. Of course, our upbringing has everything to do with it.
