Kamla Persad-Bissessar Quotes
One of my officers said to me that Trinidad and Tobago is seen like an ATM card... you come in with the card and you come back out with cash. It cannot happen anymore. It just cannot happen.
Quotes to Explore
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I often joke that I straddle psychosis and neurosis, and that being an artist keeps me in the middle, so I can work between the two.
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Everyone has something to sell. The greatest thing you can ever sell is an idea or talent.
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I look back on some of my outfits, and I'm like: 'Why did I wear that? Where are my friends and why didn't they tell me not to leave the house?' If they had, I probably would've said, 'You don't know what you're talking about. This looks amazing.'
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Sometimes when you do interviews, it gets twisted up.
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You have to understand, I can't do any jokes about Ross Perot, because the last thing I need right now is another credit check.
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I think shortly after I got signed, it just started to dawn on me that I had something to say and that Yahweh put something in my heart to share with the world.
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As a kid, looking at Michael Jackson, Marvin Gaye, New Edition, the Temptations, Motown, people who I felt were huge artists, they made me wanna do something.
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Would you believe in what you believe in if you were the only one who believed it?
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When you take risks and things don't go your way, you can be heavily criticised by the media.
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With Altman, he does discuss everything with you, but then leaves you to it and gives you full rein and lets you improvise and create a character while the camera is rolling.
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You either get better, or you don't progress.
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The Lord is greater than all: I have said enough.
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The first two pictures I did, I played a young student in prep school. When I did Lifeguard, everyone was saying, You're so Southern California. It was a surprise to me.
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All I try to do is create an atmosphere that seems comfortable enough, that it removes tension and everyone feels free. If they feel free then behaviour happens, small moments happen and that's what ultimately works the best for me.
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My dad was always interested in characters he didn't understand - he was such a great bad guy in movies. And that is really the thing that calls me to the material often: something I struggle to understand in human behaviour.
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Epic were adamant that I should carry on being me. They liked the way I look, my clothes, hats... nothing's changed really.
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Through all the bad guys that I've played, they're justifiably bad - they have their reasons. It's been important to me.
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You can't try to be authentic. You either are or you aren't.
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When you write something, at first you might feel very defensive and protective of every single thing, but after a while, you just see what works and what doesn't. Sometimes you do test screenings, and an audience tells you that, or sometimes you eventually just go, 'Let's cut the joke out.'
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Success can make you go one of two ways. It can make you a prima donna - or it can smooth the edges, take away the insecurities, let the nice things come out.
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“The most important things in a friendship didn't have to be said out loud.”
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Jim Brooks is a very powerful director and it was a lot of intense work.
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I'm not such an artist type that I can't handle the real world. I read the financial pages, because most people don't talk about art.
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One of my officers said to me that Trinidad and Tobago is seen like an ATM card... you come in with the card and you come back out with cash. It cannot happen anymore. It just cannot happen.
