Chris Messina Quotes
I did a lot of small black-box theater in New York when I was starting out. I'd get a group of actors together to do workshops and readings. And I ended up directing three or four productions.
Quotes to Explore
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Some things are so tragic that you don't know what's funny in it, and some things are so ridiculous you don't know if it's worth talking about it.
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If anything, the children of Paris should be giving me even more money for having the privilege of being in the same city as my incredible quality. And so should David Beckham. Call it a Zlaritable donation.
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The other actresses, who are called my contemporaries, they started with a megastar. They were superstars overnight and are the same even today.
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I really found this campaign odious. I couldn't get up for it. The quality of the candidates and the campaign, I just found the whole thing second-rate. I didn't know how to explain to my granddaughter that I was spending my dotage writing about Al Gore and George W. Bush.
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I always tell people I went to the Harvard School of Comedy in front of America.
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Spend time reflecting on your emotional and physical existence and how that applies to the voice. You have to apply that wisdom and experience when you sing - it's what comes through.
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I have been doing so much. Speaking engagements... producing... developing a half-hour sitcom... working on a movie... leading acting workshops all over the world... and hosting 'My Black Is Beautiful,' an empowerment TV show I'm doing on BET for women.
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When you're writing a novel - at least the way I write is I work from what I would call 'emotional atmosphere,' ambiance to ambiance.
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What you want to do, particularly when you're dealing with a professional sports league and franchises and people's passionate commitment to the game and for the team they root for is, it has to be sustainable.
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I always wanted to be a writer. Maybe, had I been brought up in another generation, I might have just gone into writing rather than medicine - which is not to say that I didn't also have a great attraction towards the idea of being a healer. Fortunately, I've been able to combine the two in ways I could never possibly have imagined.
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We look upon the enemy of our souls as a conquered foe, so he is, but only to God, not to us.
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Thumbs up to the buxom woman. Size zero is boring!
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I guess my main influences are Jesus, rock 'n' roll and ex-wives. In that order.
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Possessions. The very word is potent - suggestive as it is of ownership both material and erotic. To possess. Possession. Possessed.
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There are parents who are really angry that I decided to portray people who have come into the country illegally as decent human beings.
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According to the situation, your role changes in one-day cricket, especially in a phase like the Powerplay. If I bowl four spells, four times I will be playing a different role. If I come in the first Powerplay, and say the opposition are 70 for no loss after 10 overs, I will be looking to take a wicket.
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I do think that the audience thinks it's funny when you break, but if you do it all the time, it loses something.
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The end is in the beginning and lies far ahead.
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In our view the Olympic idea involves a strong physical culture supplemented on the one hand by mobility, what is so aptly called 'fair play', and on the other hand by aesthetics, that is the cultivation of what is beautiful and graceful.
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I'm used to being part of 'Game of Thrones' and going into something where you're a small part of something else. You don't want to hold anything up because they've got such a well-oiled machine going.
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Books give us insight into other people, other cultures. They make us laugh. They make us think. If they are really good, they make us believe that we are better for having read them. You don't read a book - you experience it. Every story opens up a new world.
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Every so often when I'm writing, a character might actually be a distinct person in my head - often not an actor or a face, literally a person who just seems to exist in my imagination. Then the challenge is finding somebody who is close enough to that to make me feel like I've ended up where I wanted to be.
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If you don't want to get bored with what you're doing, you have to change.
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I did a lot of small black-box theater in New York when I was starting out. I'd get a group of actors together to do workshops and readings. And I ended up directing three or four productions.
