Daniel Radcliffe Quotes
It's interesting because people assume that because I'm famous I know all famous people.
Quotes to Explore
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I come from an immigrant family, but I know no other nationality apart from British.
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Age is just a number. Unless, that is, you live in Hollywood, where there's this notion that if you haven't hit it big by your 20s, you may as well hit the road.
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I certainly keep my eye on Washington all the time because often life is stranger than fiction.
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In the day-to-day, farm work is stress relief for me. At the end of the day, I love having this other career - my anti-job - that keeps me in shape and gives me control over a vegetal domain.
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Over the next few years the boardrooms of America are going to light up with hot flashes.
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There's such a preoccupation with liquidity and such an unwillingness to invest beyond the horizon of the next quarter and making sure that the CEOs hit their quarterly earnings.
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When decorum is repression, the only dignity free men have is to speak out.
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I don't have a great instrument. I don't have the kind of ungodly control over my voice and body that great actors have. And I've worked with enough great actors to know that I'm not one.
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And when did mere preaching do any good? Put something in the place of these things. Fill the vacuum of the mind.
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If something pops in my mind and it's easy, I write it.
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I don't think being a writer who is religious means you have to write about nothing but religion. When I do write about religion, it's to inform the story, not to push a certain agenda.
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I just want to be myself and be real and be funny.
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I just like art. I get pure pleasure from it. I have a lot of wonderful paintings, and every time I look at them I see something different.
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This Islam business kidnapped me.
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Often, as a young actress, you find yourself being the only girl in a room full of men... and one of the reasons why I like 'Grey's Anatomy' is because they have such strong female characters and the women really drive this show.
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One knows less about one's own destiny than about anything else on earth.
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I'm pretty mad at horror films for ruining my childhood.
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My co-founder Dylan Smith and I left our junior year of college to move to the Bay Area. To the horror of our friends' parents, we actually had two other friends drop out of college to work on the product. The four of us were just working non-stop growing Box.
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I saw this thing years ago, where somebody filled a gymnasium with ping-pong balls and mousetraps. And then somebody threw just one more ping-pong ball in there, and literally, in five seconds, the room was popping. And then it was dead. And that's how it was with 'Dallas.' Just... 'boom!'
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I wrote 'The Room', 'The Birthday Party', and 'The Dumb Waiter' in 1957, I was acting all the time in a repertory company, doing all kinds of jobs, traveling to Bournemouth and Torquay and Birmingham.
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The movies today are too rich to have any room for genuine artists. They produce a few passable craftsmen, but no artists. Can you imagine a Beethoven making $100, 000 a year?
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A lot of the work in, say, construction or restaurants involves visual and motor flexibility. It also requires adaptability, in terms of answering questions, giving people directions, or taking orders.
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In the '90s, comedy was at a very low point, but these days, you've got people like Hannibal Burress, Ron Funches, Maria Bamford - people who can play any club, anywhere.
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It's interesting because people assume that because I'm famous I know all famous people.
