Dara Horn Quotes
The books are like children in that having written one doesn't make writing the next one any easier, because it's a new set of problems and a new set of challenges with each one, and having dealt with one before means that you now know how to do it.
Quotes to Explore
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Suggest your children try tithing - giving 10 percent of their allowance to a charity every month.
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We are all dreamers creating the next world, the next beautiful world for ourselves and for our children.
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The demand in India is to have a hit, which becomes a promotion for the movie and makes people come to the theater. You have five songs and different promotions based on those. But when I do Western films, the need for originality is greater. Then I become very conscious about the writing.
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Sex and death, the magnetic poles of fiction, attract us children's writers no less than adult authors, but we have to be more leery of their pull.
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Personal relationships are usually my biggest inspirations for writing my songs. The best way for me to write a song is to visualise the story in my head, and I start humming a melody, and before you know it, a song is born.
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What strategic benefit would accrue from having Montenegro as an ally that would justify the risk of our having to go to war should some neighbor breach Montenegro's borders?
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Writing is a solitary journey, so I am always excited to go out on book tour and meet readers one-on-one.
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Children up to the age of seven are like sponges. They look up to adults and copy what they do. So I thought if I could create a positive role model - a superhero, if you like - who moves around and has a balanced lifestyle - then they would be motivated to move more.
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I mean, the wonderful thing about writing a book is that you're getting a finished product at the end of the day. You're communicating directly with the reader.
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I love writing songs. I love doing my radio show and talking to the fans and listening to what they have to say, but there's a certain responsibility that comes along with being given the gift of music. I take that seriously, but at the same time I try to use it to do something that makes a difference in a positive way.
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I went to a number of foreign countries, and during whenever I went, I would try to go to an orphanage or a home for children. And I was seeing thousands of kids around the world that needed homes.
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When writers stop to sharpen pencils or get up and make coffee to procrastinate, they still stay in their heads with their characters. But when you zip over to read email or check your Facebook page, you get zapped out of the fictive dream. It's brutal on my writing.
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One in four children being victimized? That's about seven children in every classroom. That's a significant proportion of the population.
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As philanthropists, the most powerful legacy we can create is one that keeps on giving - through our children.
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I'm a pretty easygoing person, and it bleeds into the music. Even if I'm writing the most personal song, it's not going to come out totally serious; there's always a little tongue in the cheek.
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I start writing with only the vaguest idea about who my characters are and what is going to happen, and the characters and plot come into existence as I go. I've tried doing it the other way, but for me, outlining is a waste of time because I never follow the outline.
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My father was a writer; I've known a lot of children of writers - daughters and sons of writers, and it can be a hard way to grow up.
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I don't think more concentration is required for Robert De Niro to do what he does as for Jim Carrey to do what he does.
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Everyone says TV's going down the tubes, and it's all reality, but there's some really good writing and some amazing opportunities if you're lucky enough to throw your hat in the ring.
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It sounds funny, but I always try to keep an open mind about what I'm writing about. Sometimes I squeak my opinions in there, but generally I don't. I try to be objective about things that I'm writing about.
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The idea is that Jodie Foster is with her child and she's going back to New York from Germany with her husband's body. She loses her child on a plane, and you think, 'How can that happen?' There's no record of her having brought a child onto the plane, and the captain is left wondering about whether she's telling the truth. You never really know if she's telling the truth or not.
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In itself, I spent a year writing, you know all these different songs and when it came to recording the record, I just pulled out all the tracks I liked the most.
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The books are like children in that having written one doesn't make writing the next one any easier, because it's a new set of problems and a new set of challenges with each one, and having dealt with one before means that you now know how to do it.
