Dave Filoni Quotes
Quotes to Explore
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There's this idea of a star, and this person is very aloof and writes all the music, and they don't talk to anyone unless they go through the record label. And I always felt very uncomfortable about that.
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We often feel a twinge of guilt over our own fascination with presidential candidates' wives - as if we are secretly reading the 'Star' for our campaign information instead of the policy journals.
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I'd love to be a pop star - at heart.
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I feel sorry for these kids in bands. Everything is so disposable nowadays. These kids don't even get 15 minutes of fame, it's like a minute and a half.
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I'm not a movie star like other actors in the way that I need to walk with a bodyguard.
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I was a star in Italy, Austrailia, Germany and Japan before the American stations ever paid attention at all.
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We started by playing girls who only married at the end of the picture. We didn't play wives. That came later. But the most dreadful thing was when a star had to play a mother. That was the beginning of her professional end.
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I auditioned for this agency. I got an advertisement first, and then something else, which I got fired from. It was soul-destroying. And then the next thing I got, I thought was going to be my big break, and they cut the role. It was only the year that I started auditioning for 'Star Wars' when I really started getting roles.
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Major film stars tend to do a film and then have a couple of months off. I'm not a major film star; I'm a jobbing actor.
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The first album I ever owned was 'A Star is Born.'
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I grew up on Raffi. That was my first impression of what a rock star was.
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The problems with First Ladies is that you have to set the standard. My role is to be both star and slave.
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The original 'Star Wars' that I was a part of really was the beginning of my working life.
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My boy cousins used to sit my older brother and me down and take us through a film-studies course. It included 'Tremors', 'The Goonies', and, of course, 'Star Wars'. That was when it began: sitting cross-legged watching as the opening crawl goes up the screen.
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It's never been important to be a huge star or to have some breakout role. If you're the lead, you get a lot more screen time and you get a lot more chances to develop that character more thoroughly than you would if you do it in a little supporting part.
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While I'm writing, I'm also the first reader, and I want to write a book where I'm excited about what happens next.
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For everyone, 'Star Wars' has been a part of their lives in some capacity. I remember watching it very early on with my cousins and my brother, and we were all cuddled around the VHS player, which sounds very old-fashioned, but that was the way then.
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Everybody wants to be a star right now, to be heard, to have a voice, so you have to give the confidence for people to have that ability - and give them the wardrobe to become a star.
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The writers led by Mike Scully are fantastic. And they're creating original stories that not only don't repeat what we've already done, they also don't repeat anything I've seen on television.
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You really want to try to continue to pile up outs as often as you possibly can. Whether they get a hit or not really doesn't affect the way you continue to approach that lineup, especially with a five-run lead.
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Whatever you read, there's no better place to read than the cockpit or the berth of a boat. It's kind of like being in a womb.
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I found at a certain point in my acting career that I was just bored. I had too much energy. I had too many ideas.
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When I was writing 'You Suck,' in 2006, I constructed the diction of the book's narrator, perky Goth girl Abby Normal, from what I read on Goth blog sites.
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'Star Wars' is just a special story.
