David Ansen Quotes
Relentlessly savage, 'The Passion' plays like the 'Gospel according to the Marquis de Sade'
Quotes to Explore
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I was taught to play that way when I was in high school and even before I got to high school.
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Perhaps misguided moral passion is better than confused indifference.
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In 2016, makeup has become an incredible passion and hobby for men and women, but it hasn't become mainstream.
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Sometimes it's less about the character and more about the story for me. I'll play a rock in the background if I think the story is fantastic and I can be a part of it somehow. That's what I look for.
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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I'm from New Orleans. There's a lot of vampire mystique and mythology that resonates there, and I was fascinated by it. I always wanted to play one.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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Sometimes I rush my swing because I am so anxious to play well. In Cuba, the quality of the pitching is not the same as it is here. There you might find one or two pitchers at 94 or 95 mph. Here, every day I find several, and each pitcher who comes along throws his hardest stuff.
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I like to do comedy. It's my real passion. I want to make people laugh.
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How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.
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The debt we owe to the play of imagination is incalculable.
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My drummer, bass player, and guitar player sing backgrounds. They play and sing. I can sing all the harmonies, but I can't do it alone.
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It's true what people say - that actors are the closest thing there is to children. They play.
Nastassja Kinski -
Every passion borders on the chaotic, but the collector's passion borders on the chaos of memories.
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I've always refused to play terrorists.
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The villains that I play, I always think that they are grounded, wonderful people with enormous intellects who are very exciting to spend an evening with. I never see them as bad people.
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I wanted to play rocking country music, and when I started out in the late Seventies, it took me a couple of albums to figure out how to do that.
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Although I enjoyed writing Film Music it was always a means to an end, in that it enabled me to keep a wife and family and write my classical music, which has always been my passion.
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Being a Barrymore didn't help me, other than giving me a great sense of pride and a strange spiritual sense that I felt OK about having the passion to act. It made sense because my whole family had done it and it helped rationalise it for me.
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It's been good to go against guys like that and play well. But I still have a long way to go. Those are two of the best doing it right now. When you add Yao Ming and Jermaine O'Neal into the mix, those are the best centers in the league right now, so they are the guys you really want to play well against.
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I had to be physically and emotionally naked, show both my body and soul. I felt emotionally vulnerable and physically exposed, it was a hard choice to make but I was intrigued since the beginning. I think that...the things that scare you the most are the ones you gotta do.
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As a writer, I had learned a lot on 'Margin Call' about embracing the weaknesses of a narrative and of a project. A story always has an inherent narrative weakness.
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Relentlessly savage, 'The Passion' plays like the 'Gospel according to the Marquis de Sade'
