Mark McKinney Quotes
Quotes to Explore
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I always said I'm not disappointed with Obama because I voted for him because he was black, and as long as he kept being black, I was a happy man.
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As a younger actor, I had delusions. I would dream of Scorsese and De Niro; I would meet people, and it would be like this, and it would change moviemaking in France, and Paris would become the center of the world.
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If you have the ideas, and you're a creative person, then you don't really differentiate in how your ideas manifest themselves.
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The first thing I learned was the theme from Peter Gunn.
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When I was very young I knew that I wanted to be in show business. I knew that I wanted to be an entertainer.
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Actually, if I could deliberately sit down and write a pop hit, all my songs would be pop hits! Let's put it this way. I play what I like to hear. And sometimes I like to hear something poppy, and sometimes I don't.
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Muslims who commit terrorist acts are perverting their religion.
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It's great fun to play with a really good band.
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I had novels to write, so I wrote them.
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There are no galley-slaves in the royal vessel of divine love - every man works his oar voluntarily!
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What I think happens today is that a lot of filmmakers look at other films that are retro pieces, like L.A. Confidential, and say, oh, that's period. We didn't want to do the stereotypical stuff.
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I left Edinburgh to follow the London punk scene in 1978, singing and playing guitar in various bands. My income was sporadic, so I did anything to eke out some kind of subsistence - laying down slabs, working as a kitchen porter.
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'Friends' played in this territory of being funny, and then also just grabbing your heart. And not afraid of that. It was a comedic soap opera. Not being afraid to have an audience feel something, laugh and cry, was quite extraordinary and quite wonderful.
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We appreciate quiet living. It's not exactly a Hollywood way of life - I couldn't stand living out in Hollywood because you can never escape from the business. All people ever do is talk about movies. At least in New York you can have some other life.
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I love big, bold, truthful theater - the tradition of Victorian theater.
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The only hope I can see for the future depends on a wiser and braver use of the reason, not a panic flight from it.
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I once made love for an hour and fifteen minutes, but it was the night the clocks are set ahead.
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Sugar crystallizes something in our American soul. It is emblematic of all industrial processes. And of the idea of becoming white. White being equated with pure and 'true': it takes a lot of energy to turn brown things into white things. A lot of pressure.
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No way they could threaten him, not even with Amelie; he'd already given Amelie the finger on the way out of Morganville and he clearly wasn’t worried about her coming after him— or, if so, what would happen when she did.
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Revolutions demand enormous sacrifices and, at the same time, create a new need to change the world again.
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When we speak of the commerce with our American colonies, fiction lags after truth, invention is unfruitful, and imagination cold and barren.
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That was where my dream began to take hold, of not havin' to pick cotton and potatoes, and not havin' to be uncomfortable, too hot or too cold. That in itself had driven me to try to find some better way of life.
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When uncle Eddie does his impression of 'Like a Virgin' it's like Madonna is coming out of his body!' Christ what an image.
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It is so cold out there, my head nearly fell off.
