David Bryan Quotes
I think growing up in the shadow of New York shaped me for life. Hey, you come from Jersey, you get used to being dumped on by the big city.
Quotes to Explore
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As a child, I always liked dressing up and getting into character, and actors are lucky in being able to retain that playfulness, though we do seem to find it hard to grow up.
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I'm not shy about trying to find what truth there is in any genre, whether that be an action piece, a sci-fi piece, a small indie film, or a play. I'm open to it all.
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I'm always on the phone because I'm usually not with the people I want to be with.
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The men and women of my generation are heirs to that great collective success which has been admired worldwide and of which we are so proud. It is now up to us to pass it on to the coming generations.
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They wanted to audition people for the Middle East correspondent on 'The Daily Show.' They wanted to hire somebody ethnic for that slot. Helms had left, Cordry had left, and they felt that they needed an ethnic face. So, I went in and auditioned, and I got the job.
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Politics is not an exact science.
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For the first six months of my stand-up career, I was talking like Danny Dyer. I was doing a lot of 'alright guvnors?' It wasn't true to who I was.
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I went to high school in New York City. So, I grew up in New Jersey my whole life, and I was watching all the people and all the kids that I met there become so jaded.
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'Yield' was completed in 1997 and released in 1998. In the spring of 1997, I had made a decision to stop taking medications that I had been taking daily since 1988.
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And one cannot discharge the duty of loyalty without the patient and an open minded study of the institution that marked the country and defined its character.
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The search for the truth is not for the faint hearted.
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I enjoy personal injury cases. I've tried quite a few of those. And, frankly, any kind of litigation that is trouble-shooting, whether it's equities, suits and injunctions, or whatever.
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I fell in love, not deep, but I fell several times and then fell out.
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I've always romanticized the late '40s and '50s - the cars, jazz, the open roads and lack of pollution. Now there are more vehicles, less hitchhikers, more billboards and power lines and stuff. People wrote wonderful long letters that took months to receive, and now everything is email.
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One thing that founders always underestimate is how hard it is to recruit.
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I wish - I wish the peace and good for the Syrian citizen and the Syrian regime.
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I will know him by his eyes.
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Wait long enough, and people will surprise and impress you.
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Homoeopathy is supposed to work miracles.
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As slippery as smooth grapes, words exploding in the light like dormant seeds waiting in the vaults of vocabulary, alive again, and giving life: once again the heart distills them.
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All that I desire to point out is the general principle that life imitates art far more than art imitates life.
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I don't drink at all. I don't condone any of that. And I'm also underage so everything I do is of course under a microscope because a lot of people are onto me growing up. But I won't mess up. I have a lot of good people around me.
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I also got to know Roger Corman a bit while we were on location in Mendocino. And then, subsequently, a woman who also worked on The Dunwich Horror named Tamara Asseyev and I teamed up and co-produced a picture that I wrote and directed, called Sweet Kill, that Roger Corman's then-new company distributed.
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I think growing up in the shadow of New York shaped me for life. Hey, you come from Jersey, you get used to being dumped on by the big city.
