David Cronenberg Quotes
Even Hitchcock liked to think of himself as a puppeteer who was manipulating the strings of his audience and making them jump. He liked to think he had that kind of control.
Quotes to Explore
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I'm big on manners. I'm big on politeness. I'm big on gratitude.
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I love being a part of country music. I love going out and... doing things for the first time for country music. I always enjoy that.
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I'm not really a fan of Valentine's Day. I think it can be romantic doing nothing on Valentine's Day. It's more romantic than being given a big bunch of flowers that everyone else is doing.
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For me, whenever I would see a lot of 'black films,' I didn't feel represented in it. I didn't feel connected to the characters or the situations or the humor.
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I can't imagine playing a boring gig. Like, a boring audience without reaction, I will play against them.
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Try as you will, you cannot annihilate that eternal relic of the human heart, love.
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A person isn't who they are during the last conversation you had with them - they're who they've been throughout your whole relationship.
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My whole career has been trying to please people in basketball. Now it's time to please myself.
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Adversity has ever been considered the state in which a man most easily becomes acquainted with himself.
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I love the crowds at festivals because they're so chilled out.
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This country has far more problems than it deserves and far more solutions than it applies.
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I am fully aware of the concept of political revolutions. After all, that is what we hoped might happen in the U.S.S.R. and Eastern Europe, but what actually happened was capitalist restoration.
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Corporate nationalism to me is a little bit like what would have happened if Hitler had won. It's scary stuff. It's totalitarianism in a different from, under a different flavour.
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I went to a girls' school, and it was awful. The combination of my teenage anger and their jealousy meant I was always getting into fights. There was a lot of pulling of hair and scratching of faces and rolling around on the floor.
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For 'A Little Night Music,' I did try to get little bit more beefed up for that because I thought that would help me carry myself around the stage in that character.
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I give two hoots about being typecast. It's not in my hands.
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Christine Bass was my high school music teacher. She took a program on its last legs and within a few years turned into one of the best programs in the country. Our high school dominated national choir competitions all through her 20-plus year tenure.
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Down the mine I dreamed of cricket; I bowled imaginery balls in the dark; I sent the stumps spinning and heard them rattling in the tunnels. No mishap was going to stop me from bowling in the real game, especially this one.
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I really identified with Jess, because my own dream was acting, which isn't the most conventional profession.
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Looking at younger artists, like Varda Caivano and Kerstin Bratsch, I see that their work has something in common that is new to my generation. There's an effort to value the evidence of the hand and the handmade thing while also acknowledging the way in which the making of things with hands has such a complex, alienated place in our culture.
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The question is not, 'Do you have a problem?' The question is, 'Does the problem have you?'
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You will remember (you WILL remember!) Where you could go (you WILL remember!) When you would go Away.
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My mother's childhood was complex, disjointed, and disturbing. As children, we would gather round and ask her to tell us again and again The Story of Her Childhood. It was Grimmsian, Andersenesque: a classic fairy tale replete with goodies and baddies.
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Even Hitchcock liked to think of himself as a puppeteer who was manipulating the strings of his audience and making them jump. He liked to think he had that kind of control.
