Kris Kristofferson Quotes
As far as fame, the everlasting fame thing. I used to think that was important for a writer... the desire to make your mark.
Quotes to Explore
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My grandfather milked several cows twice a day and supplied the neighbours with dairy products. He liked to go visiting around the county on Saturdays, and he also enjoyed the neighbours when they came by once a week with their empty milk jars. He walked them out to their cars and hung over the driver's side window until they drove off.
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We learn martial arts as helping weakness. You never fight for people to get hurt. You're always helping people.
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Take the attitude of a student, never be too big to ask questions, never know too much to learn something new.
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It's very easy to have slogans and rhetoric that people will follow, but eventually the slogans fall away.
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Music isn't like news, where it's what happened five minutes ago or even 10 seconds ago that matters. With music, a song from the 1960s could be as relevant to someone today as the latest Ke$ha song.
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Remember that we are all human beings trying to do what we love to do.
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Language as a communication tool is the primary element from which literature is created. Even in pre-literate societies, it exists as songs, riddles, or epics that are chanted.
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A lot of what gets on the radio isn't saying anything other than somebody wants to be famous and will do whatever they're told to get it.
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There's no biography so interesting as the one in which the biographer is present.
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We are saved by grace, not by the works of the law. But don't be so quick to write the law off.
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The act of writing requires a constant plunging back into the shadow of the past where time hovers ghostlike.
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I was a temp secretary for a long time, and I went at it with a passion, and I tried to do a nice job in all my jobs.
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With the rights now in our loving hands, I'm beyond excited to bring 'The Green Hornet' into the 21st century in a meaningful and relevant way: modernizing it and making it accessible to a whole new generation. My intention is to bring a gravitas to 'The Green Hornet' that wipes away the camp and kitsch of the previous iteration.
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I don't want them to read what I'm writing and say, 'I think that's right,' and agree with me. I want them to read something and then walk away and be haunted by it.
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My great hope would be that Quebec would realize itself fully as a distinct part of Canada, and stay Canadian, bringing to Canada a part of its richness.
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I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level.
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I'm at the age most people are sending their kids off to college.
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You have to take control of your own life, your own destiny, and your own careers. You can't leave everything up to someone else, 'cause then you can look at them and blame them.
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We have lost contact with reality, the simplicity of life.
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I'm really, really interested in the job of acting. I can really care less about being famous. I'm more about the work, and 'The Big C' was amazing, so I wanted to be a part of it.
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I think it's very important not to grow up with the unhealthy amount of attention that is sometimes put on people because they are 'actors'.
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I can remember being fascinated by what people really thought about each other and what they were really doing to each other behind people's backs.
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I had a million questions to ask God: but when I met Him, they all fled my mind; and it didn't seem to matter.
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As far as fame, the everlasting fame thing. I used to think that was important for a writer... the desire to make your mark.
