Kris Kristofferson Quotes
As far as fame, the everlasting fame thing. I used to think that was important for a writer... the desire to make your mark.
Quotes to Explore
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My grandfather milked several cows twice a day and supplied the neighbours with dairy products. He liked to go visiting around the county on Saturdays, and he also enjoyed the neighbours when they came by once a week with their empty milk jars. He walked them out to their cars and hung over the driver's side window until they drove off.
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We learn martial arts as helping weakness. You never fight for people to get hurt. You're always helping people.
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Take the attitude of a student, never be too big to ask questions, never know too much to learn something new.
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It's very easy to have slogans and rhetoric that people will follow, but eventually the slogans fall away.
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Music isn't like news, where it's what happened five minutes ago or even 10 seconds ago that matters. With music, a song from the 1960s could be as relevant to someone today as the latest Ke$ha song.
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Remember that we are all human beings trying to do what we love to do.
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Language as a communication tool is the primary element from which literature is created. Even in pre-literate societies, it exists as songs, riddles, or epics that are chanted.
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A lot of what gets on the radio isn't saying anything other than somebody wants to be famous and will do whatever they're told to get it.
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There's no biography so interesting as the one in which the biographer is present.
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I had studied theater for three years in London when someone suggested me for the role.
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We are saved by grace, not by the works of the law. But don't be so quick to write the law off.
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The act of writing requires a constant plunging back into the shadow of the past where time hovers ghostlike.
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I was a temp secretary for a long time, and I went at it with a passion, and I tried to do a nice job in all my jobs.
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With the rights now in our loving hands, I'm beyond excited to bring 'The Green Hornet' into the 21st century in a meaningful and relevant way: modernizing it and making it accessible to a whole new generation. My intention is to bring a gravitas to 'The Green Hornet' that wipes away the camp and kitsch of the previous iteration.
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I don't want them to read what I'm writing and say, 'I think that's right,' and agree with me. I want them to read something and then walk away and be haunted by it.
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My great hope would be that Quebec would realize itself fully as a distinct part of Canada, and stay Canadian, bringing to Canada a part of its richness.
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I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level.
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I'm at the age most people are sending their kids off to college.
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I've done movies that I've been advised not to do. 'Dog Soldiers,' the movie I did 11 years ago now, I remember my agent at the time was like, 'You shouldn't do that. It's a weird film about werewolves,' and it became a cult hit.
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You know what’s the real fight, the real money fight. It’s me
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There are simply two kinds of music, good music and the other kind ... the only yardstick by which the result should be judged is simply that of how it sounds. If it sounds good it's successful; if it doesn't it has failed.
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'Love, Death and the Changing of the Seasons' is a kind of novel in verse about the arc of an urban lesbian love affair - and I suppose there is a certain amount of voyeurism in the consumption of fiction! The 'Sancerre' poems here are more contemplative and about the relationship of the individual to local and wider histories.
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I always tried to raise money for the Black Panthers through business schemes.
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As far as fame, the everlasting fame thing. I used to think that was important for a writer... the desire to make your mark.
