Carl Rakosi Quotes
Quotes to Explore
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I never took hallucinogenic drugs because I never wanted my consciousness expanded one unnecessary iota.
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Whether or not we communicate it, I definitely seek my mom's acceptance and approval for everything. She has a strong commercial sense of movies and is a quintessential audience. When she doesn't like something, I know there is reason to worry. When she loves something, there is reason to celebrate.
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I used to sing in jazz clubs with a friend until she went another way.
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Fitzgerald was a modernist.
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I told my agents that I love Holly Hunter and Frances McDormand and all of these women that are good at doing comedies as well as dramas.
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I feel like the reason people feel like they know me is because I'm giving you myself in the music. There's where the connection comes from; you can't Twitter that.
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The mystery of government is not how Washington works but how to make it stop.
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I've never been far from the river. I'm sort of like a Thames-nymph.
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Talent will only take you so far, and it is your ability to feel the music and explore a movement that will bring you the greatest pleasure in dance.
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For clothes and accessories, I love my friend's boutique; One by One and UT.LAB for shoes.
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It is absolutely critical for competitiveness in the United States for us to really raise the bar in education, especially in math, in science, in technology.
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I've bought some Lanvin snake-print wedges, so maybe you'll see me pushing the pram in those and my hotpants!
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I know I'm good enough. I don't need to show it to you. Either you know who I am, or you don't.
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I don't look at myself as suffering.
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There is evidence that some of al Qaeda's nuclear efforts over the years met with swindles and false leads.
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My stepfather gave me a Kodak camera when I was 17 years old. I started working at a local photo store in Le Havre, France, taking passport pictures and photographing weddings.
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I'm not looking for a challenge, necessarily. I'm looking to make a really great film.
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I had seen some films made about the underground music world in Tehran, and most of them were short documentaries about 30 or 40 minutes long. And I always wondered why they weren't publicized more. Really, their only flaw was they were short documentaries.
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Usually after I'm done with working, I just come home and play a little game and go to bed. After work, I have a lot time to do a lot of stuff. I think I've got a good balance of work and play.
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What we had been doing many times was turning a nonbottleneck into a temporary bottleneck. This was forcing other work centers downstream from it to be idle, which reflected poorly on efficiencies. Now, even though we’ve recognized that non-bottlenecks have to be idle periodically, there is actually less idle time than before. Since we cut batch sizes, work is flowing through the plant more smoothly than ever. And it’s weird, but the idle time we do have is less noticeable. It’s spread out in shorter segments. Instead of people hanging around with nothing to do for a couple of hours, now they’ll have maybe a few tento twenty-minute waits through the day for the same volume of work. From everybody’s standpoint, that’s much better.
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I think that I used to love Hollywood movies. I remember great phases and moments. But, unfortunately, now is not the moment.
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Listen, if you don't talk big game, you never get anywhere. If you don't think big, you don't get big. Some people call it egotistical, some people call it high hopes, some people call it confidence. It's all in how you want to dissect it.
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I just started writing for my own amusement and occasionally singing in little clubs around Los Angeles. Then I wrote 'The Rose,' and through a series of divine things that I had no control over and had no idea were going to happen, it got in the movie, and that changed everything.
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I fell in love with social work, and that was my undoing as a poet.
