Nell Scovell (Helen Vivian Scovell) Quotes
Quotes to Explore
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Every great work of art has two faces, one toward its own time and one toward the future, toward eternity.
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Let us go forward in this battle fortified by conviction that those who labour in the service of a great and good cause will never fail.
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Unfortunately, there is still much to mine in this world and explore creatively.
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I was always interested in the kind of history they didn't teach you in school.
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Never have I found the limits of the photographic potential. Every horizon, upon being reached, reveals another beckoning in the distance. Always, I am on the threshold.
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Looking up and out, how can we not respect this ever-vigilant cognizance that distinguishes us: the capability to envision, to dream, and to invent? the ability to ponder ourselves? and be aware of our existence on the outer arm of a spiral galaxy in an immeasurable ocean of stars? Cognizance is our crest.
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My number one thing is to recycle everything from newspaper to aluminum cans, and I even use a canvas bag instead of the plastic ones when I go to the grocery store.
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If you keep saying things are going to be bad, you have a good chance of being a prophet.
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I was a very physical child... I was a tree-climber; I was a tomboy.
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I want babies. I think I'll be a great dad.
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I just want to sit in my room and write books.
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The four walls of paper are like a prison because every idea wants to spring out in all directions - everything is connected with everything else, sometimes more than others.
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Contrary to popular belief, I'm not always trying to stand out.
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Those of us raised in modern cities tend to notice horizontal and vertical lines more quickly than lines at other orientations. In contrast, people raised in nomadic tribes do a better job noticing lines skewed at intermediate angles, since Mother Nature tends to work with a wider array of lines than most architects.
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I love the science-fiction genre because there's always so many endless possibilities! It's a limitless genre and can be fun playing around with otherworldly ideas.
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In my early 20s I was so miserable doing construction, I wanted something that paid money. I liked nice stuff. I liked cars and architecture, and things that cost money. I wanted to not swing a hammer, and make money... and not do stuff that was dirty. I attempted to get into comedy. I started to do stand-up, but I wasn't very good at it.
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I used to get a shiver if I thought about holding balloons, because I was scared of floating away.
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Ain't no place like New Orleans. It's one of kind.
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I remember when I thought of singing as the bit that went between the guitar playing - something I couldn't wait to get out of the way. Singing was originally like a chore that I didn't really enjoy.
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There are no insignificant relationships. Every experience that we have contains purpose and meaning. Each event, each person in our lives embodies an energetic fragment of our own psyche and soul. Our individual spiritual task is to recognize and integrate all of them into our awareness so that the greater pattern of our mission can shine forth in its full dimensions.
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I started writing plays in around 1967, and at a certain point, I thought, 'I'm writing plays, I should learn about acting and what it is.' So I went to the HB Studio in New York, and I was there for about nine months.
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Lock up your libraries if you like; but there is no gate, no lock, no bolt that you can set upon the freedom of my mind.
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For better and for worse, I feel like sorrow and grief are really transformative personal experiences for me, and I question what I would be had I decided to take a different path and not embrace that kind of pain.
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I think I'm funnier in my writing than in person.
