Bill Murray Quotes
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You don't have to have all this film stock, you can work faster, and you don't need a giant crew. It's great.
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I've got kids and that's important. It's funny, you think that there's an expiration date on them and there just isn't.
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When you act obnoxious towards people, like on a movie set, they say "we're ready for you" and I say "oh, go to hell, my feet hurt and my head aches." You want to have a margarita for lunch, and people like these little ADs and production assistants are like, "well, he's drinking again."
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I don't believe that you can give the same performance every take. It's physically impossible, so why bother? If you don't do what is happening at that moment, then it's not real. Then you're holding something back.
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You had to keep the mood up; you had to keep the tempo up. You had to keep the feeling of, "Hey, we're doing something that's really exciting. It's fun being with these people." And the more fun you have, the better you do it.
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I wanted to be a doctor once upon a time, but it turns out you've got to study, and that wasn't going to happen. I had no idea what I was going to do. I had trouble holding jobs because they want you to be on time. That wasn't going to work.
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You have to hope that good things happen to you. ... That's the only thing we really, surely have, is hope. You hope that you can be alive, that things will happen to you that you'll actually witness, that you'll participate in. Rather than life just rolling over you, and you wake up and it's Thursday, and what happened to Monday? Whatever the best part of my life has been, has been as a result of that remembering.
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Now, for some of you it doesn't matter. You were born rich and you're going to stay rich. But here's my advice to the rest of you: Take dead aim on the rich boys. Get them in the crosshairs and take them down. Just remember, they can buy anything but they can't buy backbone. Don't let them forget it. Thank you.
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I love the financing. It's fun to do studio movies, too. I think you should do both. You don't want to be this, "He's an independent film guy." It sounds like, "He makes his own dresses."
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If I run into someone on the street, that's one thing. But answering mail for a living? I like a job where you can play and act kind of goofy and have some fun.
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The only good thing about fame that I've gotten is I've gotten out of a couple of speeding tickets. I've gotten into a restaurant when I didn't have a suit and tie on. That's really about it.
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Whatever you do, always give 100%. Unless you're donating blood.
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The truth is, anybody that becomes famous is an ass for a year and a half. You've got to give them a year and a half, two years. They are getting so much smoke blown, and their whole world gets so turned upside down, their responses become distorted. I give everybody a year or two to pull it together because, when it first happens, I know how it is.
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There are a lot of actors that are more talented than me at Second City who quit it before they even got to a paying status. Weird luck. I had no other option.
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This is not a dress rehearsal; this is your life.
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Everyone needs to take a vacation from the sort of automatic things you do.
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Every moment that you share someone else's pain, feel what they feel, makes you more human.
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My back hurts. My legs ache. I'm only four!
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You cannot pray them out of hell.
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Now, the essence, the very spirit of Christmas is that we first make believe a thing is so, and lo, it presently turns out to be so. - Stephen Leacock of Christmas trees around the house, so it smells good.
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The only way we’ll ever know what it’s like to be you is if you work your best at being you as often as you can, and keep reminding yourself: That’s where home is.
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I try to be available for life to happen to me. We're in this life, and if you're not available, the sort of ordinary time goes past and you didn’t live it. But if you're available, life gets huge. You're really living it.
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I was at the New York Film Critics Circle Awards one year - they called me up when somebody canceled two days before the thing, and asked me to present some awards. So I went, and one of the funniest film moments I've ever had was when they introduced the New York film critics. They all stood up - motley isn't the word for that group. Everybody had some sort of vision problem, some sort of damage - I had to bury myself in my napkin.