Kurt Schwitters Quotes
Consistent poetry is made of letters. Letters have no idea. Letters as such have no sound, they offer only tonal possibilities, to be valuated by the performer. The consistent poem weighs the value of both letters and groups.
Quotes to Explore
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I quite like the drama of an encore. I think an encore is for those artists who are inclined to do dramatic gestures, and I certainly would say I am inclined towards them.
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Sometimes I feel like I have a dozen different people inside of me. I've always been that way, and I've always written stuff down.
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I learned at an early age that I was given something special when I was born, and that was the gift of music.
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I went through a stage of writing my cramped hand in tiny books. My two sisters and I did have our Bronte period. My mum is from Yorkshire, and we would go up to the Moors. It tapped into our romantic visions of ourselves.
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My friends I grew up with were so supportive to me. And I'm not the only one who's done well.
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I may have more than one friend with benefits. It's very healthy for the heart. I think no matter how old you are - and I am pretty up there in terms of numbers - I think you should do whatever makes you happy.
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When I learned that flour pound for pound has as many calories as sugar, and that when eating pasta you're basically eating cake, I was size 23, and my neck was restricting my breathing, and so I got on a microbiotic diet and got myself an exercise bike.
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I wasn't interested at all in doing a documentary. I was not a public figure.
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We work a lot, and we have a lot of discipline because we are really tired that people know Colombia as a violent country. We just want to change that face of the country, and the music that we're doing is the music that people want, that people love.
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Yoga means union, in all its significances and dimensions.
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I was good at math and science, and I got lots of degrees in lots of things, but in a parallel universe, I probably became a chef.
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I'm extremely well recognized in Korea just because of what I do on the ice, and there is a lack of that in Canada because hockey is our sport and it will be for eternity.
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The great proof of madness is the disproportion of one's designs to one's means.
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My grandpa would come in with water and flick it on our faces at 6 A.M. and be like, 'If you don't get up to feed the horses, you don't get to ride them.' We'd get up.
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Ringside seats mean you hear the breaking of ribs, the splattered cartilage of what was once the boxer's nose, the dislocation of the jaw, the horrifying 'ugggh' that the boxer utters milliseconds after receiving a crushing left hook to the solar plexus or kidneys or head.
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Even a beautiful piece of work can be overshadowed, destroyed, by something else.
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I sang for my family. And I think probably the first time I sang and got paid for it, I was about 6 or 7.
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You know, I have the best parents in the world and I got really, really lucky because they think that everything I do is Oscar-worthy.
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Poetry? It's a hobby.I run model trains.Mr Shaw there breeds pigeons.It's not work. You don't sweat.Nobody pays for it.You could advertise soap.
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so believe you're who you areand stay in characterbut at the end of the play the audience walks awayand ill be shivering cold on a well lit stage
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Even though I was theatrically trained, learning to develop a character was an awesome experience.
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There has to be a global mission of human progress.
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Learning how to shine a pair of shoes to me was like if you could do, you were like you were on your way to having abilities and skills as to be able to spit-shine a pair of shoes like they're patent leather. You're a bad dude. To spit-shine a pair of shoes. So, even to that small detail, that aided me and assisted me in becoming the artist that I am. My uncles' sense of style, their type of ties they used. The way they wore their suits, big and huge and baggy. The way they did their haircuts with the side burns. All of that.
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Consistent poetry is made of letters. Letters have no idea. Letters as such have no sound, they offer only tonal possibilities, to be valuated by the performer. The consistent poem weighs the value of both letters and groups.
