Kurt Braunohler Quotes
Quotes to Explore
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Most actors go, 'I read the script and fell in love with it'; I fall in love with the directors.
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My father's a Southern Baptist minister. I wasn't lighting cars on fire; I just wasn't.
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You have got to pay attention, you have got to study and you have to do your homework. You have to score higher than everybody else. Otherwise, there is always somebody there waiting to take your place.
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What's great about musicals is their energy and go-for-brokeness - stopping the story to sing and dance. How can you not love that?
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I am passionate about what design can do - how far it can support the new ideas and the new ways of living of this 21st Century. Good design accelerates this exciting future where manufacturing is local, materials and processes are cradle to cradle, business models are both socially and financially driven.
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A lot of news is just entertainment masquerading as news.
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When I did 'The Cell' - no matter what you think of that movie, because I have my opinions of it too - it was, you know, I still have nightmares from the research that I did. Not from playing the part, just from the research.
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No offense to music - thank you for Entertainer of the Year and all that stuff. But if you're a father or a mother, there's nothing that beats being a parent, and that's the best time of my life right there.
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The one thing that always bothered me when I played in the NBA was I really got irritated when they put a white guy on me.
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As long as I love Beauty I am young.
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The world is getting to be such a dangerous place, a man is lucky to get out of it alive.
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I like Jaykae. He's a great artist, and I absolutely love Dr. Dre's album and a bit of Calvin Harris now and then.
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The bigger we get, I think the more it's changing things, which is great, but we didn't set out to do that. We just wanted to be as big as we possibly could be.
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It's not like I'm starved for company - I have a few very good lady friends - but there's only a certain amount of times a woman wants to see you and never go out for dinner.
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When I look at my body of work, I've played a lot of characters who are morally conflicted - 'I'm right, no I'm wrong, I don't know what to do!' I want to play more characters who don't care as much, and who aren't as measured. They are what they are, no apologies.
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Find the appropriate balance of competing claims by various groups of stakeholders. All claims deserve consideration but some claims are more important than others.
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I go on giving interviews because I've been brought up to support the projects I'm involved in. When you've enjoyed working on a production, you want to do them a favour.
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The west has a great deal to answer for in the Middle East, from Britain's belated empire-building after the First World War to the US and British policy that condemns modern Iraq to the material and social squalor of a half-century ago.
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I'm as hungry as ever.
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Art has a double face, of expression and illusion, just like science has a double face: the reality of error and the phantom of truth.
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I've never had siblings, I didn't grow up in a big family; it was just me and my single mom. And hectic family dysfunction was actually something that I craved.
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I grew up in a deeply Catholic home. Our parents always encouraged us to march to our own drums, though, so some of us are still Catholic and some are not. That's always going to be a part of me though; little bits of it trickle into my work. Whether it's an embrace or a rejection, I'm not always sure, but I can't avoid it.
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I grew up very Catholic. I wanted to be a priest.
