Marsha Norman Quotes
There are days when I think the National Endowment for the Arts should issue a quota system for the production of plays by women - especially when you realize women buy 70 percent of all theater tickets.
Quotes to Explore
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If you interact with anyone, ultimately, all people are the same. However they're dressed, when you're in the house with a person, they're going to be a regular human being.
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I think all politicians lie.
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The law of sacrifice is uniform throughout the world. To be effective it demands the sacrifice of the bravest and the most spotless.
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My U.N. five-point plan focuses on preventing proliferation, strengthening the legal regime, and ensuring nuclear safety and security - an effort that was given good momentum by the Nuclear Security Summit held in Seoul earlier this year. The world is over-armed, and peace is underfunded.
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I was quite thin, and I didn't have to worry until I had my appendix out and a mysterious metabolic change occurred.
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I'm not a morning person, but I've become one as the result of having kids. The morning is my private time to spend with my boys.
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If we cut up beasts simply because they cannot prevent us and because we are backing our own side in the struggle for existence, it is only logical to cut up imbeciles, criminals, enemies, or capitalists for the same reasons.
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I don't meet many people who are talking about shows on Showtime.
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I always had the theory that the most important thing is be happy, enjoy what are you doing, and be fresh mentally.
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I live with my family on the top of a hill in the country, and during the days, my house is quiet, save for the occasional excitement of the FedEx truck heading up the driveway. I write.
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My parents wanted us to be well-rounded individuals and really have the American experiences as richly as one can.
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Comic books aren't nerdy. You'd have to be an idiot to think computers are nerdy.
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If you learn one thing from having lived through decades of changing views, it is that all predictions are necessarily false.
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My role models were always the Pacinos and the Oldmans, the guys who get dirty with their characters, and I arrived in L.A. during the big boom of 'Dawson's Creek.' I was getting cast as the boy next door, or the friend of the jock. I thought, 'Did I really have to do all that studying?'
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I was raised by very traditional Southern parents with Southern manners. You don't air your dirty laundry to people that aren't your family or your friends. Why would I ever want to portray myself as anything other than together?
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To have success in your professional life is not so hard. To succeed as a man is more difficult.
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The dove act? I'm still working on it. I don't think it's perfect yet. I got my first pair of doves when I was 14 years old. That was the beginning of the formation of that act. So it's been 24 years now that I've been working on it.
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When you had thugs and bullies and killers imposing their will on their own people or other people - if you don't respond to it, it just keeps coming because they're encouraged by their own success.
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Why young men from the country become firefighters is hard to explain to people who are not from the country. For most of us, it's not about the rush, which fades with time, or the paycheck. We could earn more working for the railroad or a car dealership. I figure it's about the land.
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I had a couple albums out that sold well for who I was at the time and the type of music I played. People started recognizing my name and face and it helped sell bigger venues. I had a bigger spotlight and I had to live up to it but I thrived under that challenge. It expedited the creative process. If I was on stage in front of 300 people instead of 30, I had to work harder at my performances because I had a greater responsibility. It was very exciting, but creative too.
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I feel Dress for Success is basically about empowering women who were in a disadvantaged situation. The act of wearing a suit when she's walking in the door, it's so powerful - it's about gaining control of their lives and situations.
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It takes people a long time to learn the difference between talent and genius, especially ambitious young men and women.
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In my experience, and that of a lot of other women writers, all of the questions coming at them from interviewers tend to be about how lucky they are to be where they are - about luck and identity and how the idea struck them.
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There are days when I think the National Endowment for the Arts should issue a quota system for the production of plays by women - especially when you realize women buy 70 percent of all theater tickets.
