Orson Welles Quotes
As for my style, for my vision of the cinema, editing is not simply one aspect; it's the aspect.
Quotes to Explore
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Gym Class is a band I am more directly involved with than any other band except for Fall Out Boy.
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I try to talk about policy issues intelligently, I try very hard to avoid thought bubbles. I make sure my speeches are well researched and footnoted. I make sure I am not talking through my hat.
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I've always made sequels, even when I was making Super 8 movies if the audience liked it.
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If your mom is still around, you're so lucky.
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I'm not a cheater, but if I win Olympic gold and people are looking at me and saying I am a cheat because I've won, it's hugely disrespectful given the hard work I've put in.
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In my opinion, he only may be truly said to live and enjoy his being who is engaged in some laudable pursuit, and acquires a name by some illustrious action, or useful art.
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Few can contemplate without a sense of exhilaration the splendid achievements of practical energy and technical skill, which, from the latter part of the seventeenth century, were transforming the face of material civilization, and of which England was the daring, if not too scrupulous, pioneer.
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When our ancestors crouched about the camp fire at night, they told each other tales of gods and heroes, monsters and marvels, to hold back the terrors of the night. Such tales comforted and entertained, diverted and educated those who listened, and helped shape their sense of the world and their place in it.
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I'm more comfortable writing traditional protagonists. But 'Steve Jobs' and 'The Social Network' have antiheroes. I like to write antiheroes as if they're making their case to God about why they should be allowed into heaven. I have to find something in that character that is like me and write to that.
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I originally got into this because of a five-year-old's begrudgery of his teacher. Mrs. Lawlor cast me as a tree, and I was disgusted. I was sure I had more to offer than that. It was like, 'OK, if you want me to be set dressing, fine, I'll take it on the chin but I'll show you - I'm going to be a big actor some day.'
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It was hard to write or compose... we just had to go back and finish making songs. If we make 20 songs, we'll throw away 10.
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I was at 260 at Tennessee because I was playing three-technique.
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I've played so many different parts in the last 40 years.
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I've always been attracted to action stuff.
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Fame, do I like it? No. It has bought a lot for me in my career, but there are a lot of downsides to it. You give up your privacy. I did it to myself but not to my family and friends. You don't ask for it. You just have to live with it.
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Beijing was a huge slap in the face, and it forced me to look at myself. I have to realise that this is my life.
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In Trinidad, where as new arrivals we were a disadvantaged community, that excluding idea was a kind of protection; it enabled us - for the time being, and only for the time being - to live in our own way and according to our own rules, to live in our own fading India.
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I think all actors have a similar deal. You want some people who understand. Although it looks great - and is great - there are also shoddy moments when you feel really rotten, and when it's going well, you're not allowed to complain.
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One golden rule is to accept the interpretation honestly put on the pledge by the party administering it.
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Give me a 15-ft. crocodile any day over a bee.
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I am, at the end of the day, a guy who loves story.
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The greatest thing in style is to have a command of metaphor.
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The form of my poem rises out of a past that so overwhelms the present with its worth and vision that I'm at a loss to explain my delusion that there exist any real links between that past and a future worthy of it.
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As for my style, for my vision of the cinema, editing is not simply one aspect; it's the aspect.
