Marshall McLuhan Quotes
The alphabet, when pushed to a high degree of abstract visual intensity, became typography. The printed word with its specialist intensity burst the bonds of medieval corporate guilds and monasteries, created extreme individualist patterns of enterprise and monopoly. (p. 23)

Quotes to Explore
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There's nothing more interesting than the landscape of the human face.
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Good comedy is ageless.
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The words printed here are concepts. You must go through the experiences.
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I'm extremely determined and ambitious.
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Every so often when I'm writing, a character might actually be a distinct person in my head - often not an actor or a face, literally a person who just seems to exist in my imagination. Then the challenge is finding somebody who is close enough to that to make me feel like I've ended up where I wanted to be.
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Like most ghetto kids I knew it was important to be 'somebody' so I became a good soccer player, because excelling at a sport seemed to make you special.
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Whenever a film allows you to think and feel and take it beyond the moment, I think it's achieved something. And 'Funny Games' does that.
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Television offered me the opportunity to do new things; I had written a lot of scripts other than scary movies. I had actually written some romantic comedies and stuff that I really wanted to try my hand at, and nobody would let me do that. Television allowed me to do anything I wanted.
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It's hard to find a play that's right for me to do. Rather than waiting around for the right script to come along, I decided to write one myself.
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I had to create some good work habits and attitude.
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Teach For America would not be able to continue recruiting and developing an ever-more diverse and impactful group of corps members and alumni if the nation's leading colleges become even less diverse.
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The bad reviews get to me, believe me.
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Football has an important role to play in society. Players should have a sense of social responsibility, have a moral dimension to them which shows up in good conduct.
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I'm not Mr. Mom, but there's just certain things I won't say anymore.
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The first time I worked with colors was by making these mosaics of Pantone swatches. They end up being very large pictures, and I photographed with a very large camera - an 8x10 camera. So you can see the surface of every single swatch - like in this picture of Chuck Close. And you have to walk very far to be able to see it.
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Most artists I run into aren't that thrilled with what they do anyway. They are glad to have different versions out there to see which one the audience likes the best.
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I live in New York and I was only there for 2 weeks all last year.
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If I was Sean Connery, I would have been macho.
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The Irish job was something that had to be sorted out.
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I think why I was attracted to making something with Vice is that level of intimacy that you get as the viewer, getting to see some of that production element where we don't exactly know what we're doing, where we're going, or even if it's a good idea.
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I don't let myself 'surf' on the Web, or I would probably drown.
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The resurrection is In spirit done in thee, As soon as thou from all Thy sins hast set thee free.
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I'm not really into the statements kind of thing.
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The alphabet, when pushed to a high degree of abstract visual intensity, became typography. The printed word with its specialist intensity burst the bonds of medieval corporate guilds and monasteries, created extreme individualist patterns of enterprise and monopoly. (p. 23)