David Sedaris Quotes
They were nothing like the French people I had imagined. If anything, they were too kind, too generous and too knowledgable in the fields of plumbing and electricity.
Quotes to Explore
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We filmed one scene on the beach and there was definitely weird energy around, and we were followed around by a white owl to several different locations, and little things like that, or certain mishaps would happen and you'd have to wonder what that was about.
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I think I've gotten more confident because the more you do it and the more shows you play, you just feel more confident. You feel more confident about everything.
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Our parents all experimented with raising us in a fairly loose, unorthodox way. A huge emphasis was placed on creativity, and our artistic efforts were never dismissed as childish. There was a sense that we - kids and grown-ups - all had the potential to make something of value. Our drawings were not simply destined for the refrigerator.
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We don't know all the answers. If we knew all the answers we'd be bored, wouldn't we? We keep looking, searching, trying to get more knowledge.
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The reason a poet is a poet is to write poems, not to advertise himself as a poet.
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I did almost two years on 'One Life to Live,' so I was thinking, 'Oh yeah, I'm an actor now.'
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If you ever meet an actor who's the child of actors, they'll never tell you that they wanted to be a star. But what I did realise early on was that I just wanted to be in that tribe.
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The idea of modernity is beginning to lose its vitality. It is losing it because modernity is no longer a critical attitude but an accepted, codified convention.
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I want do a Mandarin language movie. It'll probably be the next movie I do after the one I do next.
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If my career path takes me elsewhere, that's great. But comedy is my forte.
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There's a pleasure in being reminded of the value of ordinary life.
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I haven't done as many films as I would have liked.
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I always try to keep one very feminine quality to my style.
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I go back and forth between indie and studio because I feel like it, not because I feel obligated to do one or the other.
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I am a certified yoga teacher and I love to cycle and swim.
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The importance of satire is bringing more people to the table. There are a lot of average citizens who aren't interested in politics and would be more interested if it's brought to them in a comedic, funny, satirical way.
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I'm really familiar with what Cardboard's doing; it's not a novel concept. Cardboard is in many ways a direct ripoff of FOV2GO, a project I helped work on when I was at ICT, and it was fairly well known in the academic VR community.
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As an actor, I have casting issues. I'm a minority. I don't have trouble making a living, but as far as being on the food chain of the pecking order of actors, I'm not at the top of it. With the jobs that I do, there are always control issues with directors and producers.
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The sun, with all those planets revolving around it and dependent on it, can still ripen a bunch of grapes as if it had nothing else in the universe to do.
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Organized religions have all the facets of organized crime, except the compassion of organized crime.
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I come from what they call the land of nowhere. I'm from the suburb. It's extremely atomizing.
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And luckily, for whatever reason, I've found people who are interested in living with and owning and existing around the DNA of my mind, which is my visual work. I've found collectors who are willing to put money down to live with my work. So I can't criticize the whole mechanism. But I can criticize it as an artist, in spite of the fact that I benefit from it. And there are problems with it.
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The whole problem with people is they don't know what matters and what doesn't.
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They were nothing like the French people I had imagined. If anything, they were too kind, too generous and too knowledgable in the fields of plumbing and electricity.
