Kristine Opolais Quotes
Quotes to Explore
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I've always had better luck learning things on my own. And I really love the challenge of doing it yourself and kind of being alone against the system.
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There's not a liberal America and a conservative America - there's the United States of America.
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If you keep on saying things are going to be bad, you have a good chance of being a prophet.
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I divide criticism into two categories - one coming from those who understand music, who are worthy of being critical because they are knowledgeable about what they are saying; and then there is another category of people who would criticise you anyway, whether your work is good or bad.
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We didn't want our kids raised in a place plagued by smog and plastic surgery.
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If you're a writer, write. You just keep writing. And if you're a filmmaker, you keep doing what you can to keep telling your stories; you don't stay on the one. Keep moving forward and doing what you can to tell whatever story you can tell, be it via writing, be it via filming it.
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I don't really think about the runs too much. I mean, if we get, like, a five-run lead, then I'll start to pitch according to that.
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I make a lot of money and I'm worth every cent.
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Switzerland is a place where they don't like to fight, so they get people to do their fighting for them while they ski and eat chocolate.
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I thought of Jeff Bridges in 'Hell or High Water' and Ben Foster, and I kept trying very hard not to, because you're terrified you're going to write this thing that then feeds specifically to this one person that then won't do it.
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There are many things I love in this world. Music, acting, and animals are at the top of that list.
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I owe everything to France.
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Yidaki didgeridoo has been used in every part of Australian regional culture, all around the country. It's become a message stick for the survival of those people, for aboriginal people and aboriginal culture.
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I can sometimes feel like I'm an aggressive man inside. I'm not going to show that on social media.
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America always pivots between collective responsibility and the idea that the individual can pull himself up by his bootstraps.
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In a novel, it's hard to keep track of everybody.
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Books are like imprisoned souls till someone takes them down from a shelf and frees them.
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The heart of Univision – and what we do – is here in Miami.
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None of the actor methods ever discussed what it would be like to play a character on film for over a decade, and what it must be like to return to a character and imagine the time off-screen, which is interesting. There's something as an actor that I enjoy about evolving characters.
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Art is a way of life.
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Every show is unique; some shows have the master plan and have everything figured out and that's just the way they do things. It's like high school. Some people write their papers the second they get their assignments, and some people write it the day after it's due.
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The International Girl Crew isn't supposed to be super exclusive - that's a really important part of our brand and message. It's not just our crew - it's a lifestyle. It's for everybody to know how empowering it is to be surrounded by friends who motivate and support you and who you feel like you can exchange ideas with and do projects with.
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I think there's definitely a way to tell a story, to also look at marriages that are working, but find drama from what's challenging them. That's what I think, certainly, 'Parenthood' is kind of about: the unexpected things that come up in your life that challenge you as a man, as a woman, as a husband and a wife, and as a parent.
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I didn't want to be Nelsons's wife. I wanted to be soprano Kristine Opolais.
