Marcel Theo Hall (Biz Markie) Quotes
We always honor our people when they die; we've got to honor them while we're still alive.
Quotes to Explore
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I'm old enough to remember in the 1930s and the 1940s when thrift, frugality, was considered an important virtue.
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You see, O Greeks! The enemy already acknowledge the country to be ours; for when they made peace with us, they stipulated that we should not burn the country belonging to the king, and now they set fire to it themselves, as if they looked upon it no longer as their own.
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It's no longer a question of staying healthy. It's a question of finding a sickness you like.
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I think good radio often uses the techniques of fiction: characters, scenes, a big urgent emotional question. And as in the best fiction, tone counts for a lot.
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No sensible author wants anything but praise.
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There's nothing scarier than unlimited choices.
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I want every version of a woman and a man to be possible. I want women and men to be able to be full-time parents or full-time working people or any combination of the two.
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Her death has had a huge effect on me. It felt like a big hole appeared on my left side - apparently your left side is your mother - which I thought could never be filled. Now I think what you have to do is fill it with yourself because your mother is part of you. I'm easing into that space, using it and being comforted by it.
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I was terrible when I first started skating and was clinging onto the side for dear life, but it's something I'll always have now, and the tour is always so much fun.
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I don't know what other people are like, I haven't been able to crawl inside anybody else.
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Man knows so much and does so little.
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When I was a kid, 'Blade Runner' was my favorite movie. I remember seeing that when I was a little boy with my dad.
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I had always been feeling uncomfortable in my mind about giving advice to others and not acting upon it myself.
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I love the word 'dearth,' by the way. It's one of my favorite words.
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I know of some guitar-based rock bands that refuse to record anything that they can't play live. But some of the best stuff I come up with are studio-based performances - bringing out whatever accident I had in the studio and building a song around that.
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The biggest influence on my books was the fact that I had worked in a newspaper for so long. In a daily paper, you learn to write very quickly; there is no time to sit and brood about what you are going to say.
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If there was a time when 'The Ecologist' appeared not to be making a difference at all, not doing something useful, I wouldn't do 'The Ecologist,' but I think it is useful.
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When you're adapting, you are working on someone else's problem that they have already solved. The work has been fine-tuned and read countless times, and you're just arriving at the end and taking what you want, so of course it is the regal way to moviemaking. Plays are just the ideal scripts - the structure is there and waiting for you.
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All my cop/gangster dramas have been spaced out, but somewhere, the films in which I played the bad guy were extremely successful, so people are under the impression that I play only such roles. I call it selective amnesia.
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People are too prone to think that the actual is the limit of possibility. They believe that all that has been done is all that can be done.
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We need to start looking at having a way of managing the whole ecosystem, because you can't pick away at it piece by piece, you have to truly start being coordinated and managing our resources as a system. We haven't gotten to that point yet.
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I've always wanted to call the shots because I would rather fail than not have a chance to figure it out on my own.
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We always honor our people when they die; we've got to honor them while we're still alive.
