Deb Caletti Quotes
I always say that, for me, writing a book is like a wacky Greyhound bus trip - I know where I'm starting and where I'll end up, but I have no idea what will happen along the way.
Quotes to Explore
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Maybe 10 times a year I'll do a corporate date, but no casinos or no nightclubs or no comedy clubs.
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When all are wrong, everyone is right.
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The American people need to tell their member of Congress that we need a strong defense to protect us and to prevent wars. We can't get away with simply leading from behind and gutting our defenses.
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I struggled with being a broke college graduate, and while all my friends were getting career jobs, I was working horrible part-time jobs. That's why now, even when I get tired, I think, 'This is what I asked for.'
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After the revolution, it might very well remain necessary to place people where they could not do harm to others. But the one under restraint should be cut off from the rest of society as little as possible.
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Engagement means that in the future there will be a lot more ways for our audience to interact with Univision content.
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As people talk, text and browse, telecommunication networks are capturing urban flows in real time and crystallizing them as Google's traffic congestion maps.
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There's something extremely bizarre about the way people consume media now.
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World-building is my favorite pastime, so with me, I'm always about reining myself in. I don't want to lose too much of the mystery by hammering every detail to death. I did fiddle with lots of maps for 'Glass Sword,' as the second installment sees Mare, Cal and company traveling throughout their country, and that's always fun for me.
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I'm not a walking extra in a Chekhov play; I'm no Slavic gloom or Irish gloom.
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All the big online retailers are looking at how to enter the Russian market.
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Anyone who thus looks up has some chance of becoming worthy to be looked up to in turn.
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For me personally, I'm always writing from what's happening in my emotional life. Even without thinking about it a lot of the time, it comes out in the songs that I'm writing.
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There is one kind of robber whom the law does not strike at, and who steals what is most precious to men: time.
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Because I was always a fat child, I got fatter and fatter, and I ended up 18 stone and with a 40-inch waist.
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Jews have a tendency to become comedians.
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We are embedded in a biological world and related to the organisms around us.
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An actor cannot be a censor. I'm there to interpret.
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For me, clothing has always been connected to history. That's what draws me in.
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Couples in their 30s are having trouble having kids. And you just kind of extrapolate that and say, 'What if it happened to everybody? What kind of society would it be like if all of a sudden we knew that this was the end of the line - we couldn't have kids?'
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I have always been attracted to apostrophe, perhaps because of its resemblance to prayer. A voice reaches out to something beyond itself that cannot answer it. I find that moving in part because it enacts what is true of all address and communication on some level - it cannot fully be heard, understood, or answered.
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It varies from song to song, although Buck Owens and I recently collaborated on writing a duet together and am looking forward with a great deal of anticipation to recording that track for the new studio album.
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There's a brain chemistry - the floatiness and the disassociation and all the things that came with starving - I became addicted to.
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I always say that, for me, writing a book is like a wacky Greyhound bus trip - I know where I'm starting and where I'll end up, but I have no idea what will happen along the way.
