Debbie Reynolds Quotes
Quotes to Explore
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I'm a firm believer in the Second Amendment and the Bill of Rights. I don't think you should infringe on the type of weapon somebody should buy or the number of rounds in a high-capacity magazine.
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When I was writing 'The Satanic Verses,' if you had asked me about the phenomenon that we all now know as radical Islam, I wouldn't have had much to say. As recently as the mid-1980s, it didn't seem to be a big deal.
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Throughout my life, I have valued relationships far more than the professionalism.
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Never do anything when you are in a temper, for you will do everything wrong.
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People constantly describe me as a formalist or even a minimalist, but I'm not really bothered with the rules of painting or the history of painting. My approach is that everything is mine. I take what I can use from wherever, and then I forget where I've taken it from. But there is no point me making anything that looks like anyone else's.
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I think comedy is one of the hardest things to do.
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To all my people back in Nashville who have been there from the start, you put your faith in me. You were there for the long haul.
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When I got married in Bucharest, there were 10,000 people on the street. People didn't go to work that day. It was emotional to see how people care about you. I didn't expect that.
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It is up to God to reveal a religion, but up to us to understand and realise it.
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I think the dot-com boom and bust represented the end of the beginning. The industry is more mature today.
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We always hear from newspapers that while people understand the environmental challenge, they are unwilling to stomach the solutions. The trouble is, we only ever hear about the solutions from the media, and for whatever reason, they are almost always caricatured beyond recognition. If there's no appetite for green, it's not surprising.
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Part of the new morality of the '60s and '70s is a new attitude toward homosexuality. The homosexual men and women have organized to fight for acceptance and respectability.
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I never responded to teaching.
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I love that quiet time when nobody's up and the animals are all happy to see me.
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A woman always has her man, but the man unconsciously leans on his roots, his heritage. He feels like an orphan without his parents.
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One may no more live in the world without picking up the moral prejudices of the world than one will be able to go to hell without perspiring.
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I'm not in the business of politics.
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I'm a strong nonbeliever in the Christmas letter where you don't really read it because it's just full of kind of meaningless information. It doesn't really resonate to the person reading it, but it means so much to the person that wrote it.
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I was born in a family of landless peasants, in Azinhaga, a small village in the province of Ribatejo, on the right bank of the Almonda River, around a hundred kilometres north-east of Lisbon.
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I like being from a city that is not entrenched in show business. When you're in New York City or Los Angeles, even if you're not dealing with show business, there's still this sense that it's the center of the universe.
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I was at a restaurant in Glasgow, and I was walking down the stairs. A woman passed me and said, 'Oh my God, what are you doing here?' I didn't know who she was, and I was like, 'Sorry?' She goes, 'Oh no, sorry, I follow you on Twitter. I just didn't expect to see you here.'
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It took the Metropolitan Museum of Art nearly 50 years to wake up to Pablo Picasso. It didn't own one of his paintings until 1946, when Gertrude Stein bequeathed that indomitable quasi-Cubistic picture of herself - a portrait of the writer as a sumo Buddha - to the Met, principally because she disliked the Museum of Modern Art.
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Fay: The Ten Commandments. She was a great believer in some of them.
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You all know who she is. There's very little she isn't.
