Debra Messing Quotes
Quotes to Explore
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The writer may very well serve a movement of history as its mouthpiece, but he cannot of course create it.
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It's pretty simple, pretty obvious: that people's first impressions of people are really a big mistake.
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As soon as street art got popular, I was just like, 'I'm out of here.'
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I don't like it when people don't look me dead in the eye. I move my head around trying to catch their eye.
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A damn independent boy; independent as a hog on ice.
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Chuck Cooper is a friend, and I adore him. He can do so many things.
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The international proletariat first appeared on the scene in the early Thirties of the nineteenth century, and its first great action was the French Revolution of 1848.
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I'm very excited every time I'm at Augusta National. It's such a beautiful and fabulous golf course.
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Self-doubt is real. Everyone has it. Having confidence and losing confidence is real, too, and everyone has been in that position.
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I think that our comfort is in our history.
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The knife of corruption endangered the life of New York City. The scalpel of the law is making us well again.
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I think God has a tremendous sense of humor.
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I remember straightening my hair because I wanted to be like everybody else, and now the fact that anybody would emulate what I do? It's just funny.
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As a player, you just want to focus on controlling the controllables.
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I wake when my wife wakes, at 7:30 A.M. I'd like to sleep longer, but she has to go off to work, and I'd be plagued with guilt.
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There is precious little in civilization to appeal to a Yeti.
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I wasn't born with a natural talent for songwriting.
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Always do what you are afraid to do.
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An unread book does nobody any good. Stories happen in the mind of a reader, not among symbols printed on a page.
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The once rather old-fashioned science of paleontology finds itself in a maelstrom of excitement and controversy. Astrophysicists, atmospheric scientists, geochemists, geophysicists, and statisticians are all contributing to the extinction problem. And the general public is taking part through television talk shows, magazine cover stories, newspaper editorials, and even the occasional mention in gossip columns.
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I've tried every context imaginable, but the trio is the most demanding. It's very difficult to get an orchestral sound out the trio, but we do because I think orchestrally. The trio allows me a lot of space. I can play solo piano, duets with the bassist, drums and piano. Playing at optimum level is the challenge. What's necessary for me is establishing a meaningful statement musically; and my experiences dictate certain musical utterances; and my training and inherent sense of judgment all feed into this. I already know what is happening before I reach the bandstand ninety per cent of the time. The value lies in my skill to interpret a song. It may go better than I planned, in some instances, but it's not going to go any worse
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I'm fascinated by diamonds. When I put diamonds on, my hands start to shake.
