Bob Newhart Quotes
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People with a sense of humor tend to be less egocentric and more realistic in their view of the world and more humble in moments of success and less defeated in times of travail.
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I always stayed away from political commentary. First of all, I didn't feel entitled. What I may feel about a candidate, I'm a comedian. I mean, if people like my comedy, that doesn't mean they should vote for the person I like. That's why I always kind of stayed away from endorsements.
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I left 'The Bob Newhart Show,' which was my decision. CBS wanted it to go on. But I could see television changing; I could see the tastes were changing.
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I've been a very lucky actor.
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I think the thing about it is when you grow up in Chicago there's such a thing as putting on airs, you know? And you just learn not to put on airs. Don't act like, 'Oh boy, I'm somebody.' They'll slap you down.
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I just don't think most people put myself and Robert Frost in the same category.
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When I started out in 1960, I thought it might possibly last a couple of years. I never expected it to last 42. I take great satisfaction in that longevity.
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People are meant to be certain places, and I think I'm meant to be on a sound stage doing situation comedy.
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This stammer got me a home in Beverly Hills, and I'm not about to screw with it now.
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I've always said people say on a dramatic show, 'I was crying. It was so emotional when he went and grabbed that little girl from a burning building and handed her over to her mother.' In comedy, the best thing you can say is, 'I think it's funny.'
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I'm not a classically trained actor. I'm not a product of Stavlovski method or anything like that.
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When you're going for a joke, you're stuck out there if it doesn't work. There's nowhere to go. You've done the drum role and the cymbal clash and you're out on the end of the plank.
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Probably the best advice I ever got in my life was from the head of the accounting department, Mr. Hutchinson, I believe at the Glidden Company in Chicago, and he told me, 'You really aren't cut out for accounting.'
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I was not influenced by Jack Benny, and people have remarked on my timing and Jack's timing, but I don't think you can teach timing. It's something you hear in your head.
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I just made the decision that I was going to try comedy, and if didn't work, then I knew it didn't work. Then I would go back and do whatever. But at least I wouldn't torture myself the rest of my life, wondering whatever would have happened.
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I have no intention of retiring; I can't imagine not doing stand-up. That's where I started and where I'll be.
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What you see on stage is pretty much the way I am... a dry sense of humor.
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I have to warn you, I'm not just some sitcom guy. I'm now an author.
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Stammering is different than stuttering. Stutterers have trouble with the letters, while stammerers trip over entire parts of a sentence. We stammerers generally think of ourselves as very bright.
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I'm not what you'd call a Method actor.
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You may have done 20 great shows in a row and come to one, and it doesn't work. You never presume anything.
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I loved 'Everybody Loves Raymond' because I like Ray and I thought it was beautifully cast, I thought it was great writing. I thought Patricia Heaton was wonderful.
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It's kind of hard coming from 'Saturday Night Live,' which is a sketch-driven show, to a movie.
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'The Mary Tyler Moore Show' was the best television, the best cast, the best-written television show ever.