Paul Westerberg Quotes
I think you’re hard pressed to find another group that had as many facets to them as we did, and going through the songs now there’s an unlimited variety of everything from quasi showtunes to fake speed metal. God almighty, what were we trying to prove?
Quotes to Explore
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I don't really like to explain my songs.
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Many of the songs on Undertow were written at the time Opiate came out.
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When you have a core group of young players as we do, the future looks bright.
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When you celebrate, it's something that happens as a group. But when you mourn, sorrow is something that you handle as an individual.
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Hope is one of those no-win-no-fee things, and although it needs some encouragement to survive, its existence doesn't necessarily prove anything.
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I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.
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Everything I record, I just try to sound like me and come up with songs that suit what I do and then just go for it. I never know what the public's going to like, anyway.
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I love writing songs.
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I never set out to write songs about the world around me... it just kind of came about as a result of paying more attention to things.
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People have said to me, 'It must be nice to prove so many people wrong,' but I've never really cared about proving anything to anybody else.
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Great players are willing to give up their own personal achievement for the achievement of the group. It enhances everybody.
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With my songs I tried to prove that there is love.
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A letdown is worth a few songs. A heartbreak is worth a few albums.
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The songs I love to sing are story songs, from Yiddish songs to Tom Waits.
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I represent an emerging group of leaders within the Jewish community who are conservatives; not just fiscal conservatives, but social conservatives as well.
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I love the smell of a theater. The old rooms and the carpet and all that stuff. I love to tell stories. Even before I was doing music, I saw myself as a director. So most of my songs come in a play form, you know, where there are characters and stories, so I like to go beyond just the song sometimes.
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We lived, ate, and breathed pop songs.
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New York has been the subject of thousands of books. Every immigrant group has had its saga as has every epoch and social class.
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I'd love to get to know or at least meet some of the women, such as Sheryl or Sarah. I know we won't have time to develop friendships with anyone, but I would love to get to know them.
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Instead of stubbornly attempting to use surrealism for purposes of subversion, it is necessary to try to make of surrealism something as solid, complete and classic as the works of museums.
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The main problem that we have in Lebanon, and in the region, is we don't have a real peace process and I think this is the main focal problem that we have in the region.
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Running away for fear of death, leaving one's dear ones, temples or music to take care of themselves, is irreligion; it is cowardice.
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A high degree of intellect tends to make a man unsocial.
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I think you’re hard pressed to find another group that had as many facets to them as we did, and going through the songs now there’s an unlimited variety of everything from quasi showtunes to fake speed metal. God almighty, what were we trying to prove?
